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All the King's Horses
  • Language: en
  • Pages: 138

All the King's Horses

When Elvis Presley decided he wanted to buy a horse in 1966, he didn't want just any horse. "He wanted a Golden Palomino," Priscilla Presley remembers. "He would get up at 3:00 in the morning, go to certain farms and ranches and say, 'Do you have a Golden Palomino for sale?' People would say, 'That was Elvis Presley!" Elvis's legendary love of horses drove him to find the Golden Palomino who would become his beloved companion Rising Sun, and to fill Graceland's stables and Circle G Ranch with horses for family and friends to ride. In the first-ever book dedicated to Elvis's equestrian side, horse lovers Kimberly Gatto and Victoria Racimo share rare stories, interviews, and photographs that shed light on the beautiful, quiet life the King lived when he was with his horses.

Mike Nichols and the Cinema of Transformation
  • Language: en
  • Pages: 343

Mike Nichols and the Cinema of Transformation

  • Type: Book
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  • Published: 2014-06-10
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  • Publisher: McFarland

Mike Nichols burst onto the American cultural scene in the late 1950s as one half of the comic cabaret team of Nichols and May. He became a Broadway directing sensation, then moved on to Hollywood, where his first two films--Who's Afraid of Virginia Woolf? (1966) and The Graduate (1967)--earned a total of 20 Academy Award nominations. Nichols won the 1968 Oscar for Best Director and later joined the rarefied EGOT (Emmy, Grammy, Oscar, Tony) club. He made many other American cinematic classics, including Catch-22 (1970), Carnal Knowledge (1971), Silkwood (1983), Working Girl (1988), Postcards from the Edge (1990), and his late masterpieces for HBO, Wit (2001) and Angels in America (2003). Filmmakers like Steven Spielberg and Steven Soderbergh regard him with reverence. This first full-career retrospective study of this protean force in the American arts begins with the roots of his filmmaking in satirical comedy and Broadway theatre and devotes separate chapters to each of his 20 feature films. Nichols' permanent achievements are his critique of the ways in which culture constructs conformity and his tempered optimism about individuals' liberation by transformative awakening.

Sgt. Reckless
  • Language: en
  • Pages: 290

Sgt. Reckless

New York Times Bestseller! She wasn't a horse—she was a Marine. She might not have been much to look at—a small "Mongolian mare," they called her—but she came from racing stock, and had the blood of a champion. Much more than that, Reckless became a war hero—in fact, she became a combat Marine, earning staff sergeant's stripes before her retirement to Camp Pendleton. This once famous horse, recognized as late as 1997 by Life Magazine as one of America's greatest heroes—the greatest war horse in American history, in fact—has unfortunately now been largely forgotten. But author Robin Hutton is set to change all that. Not only has she been the force behind recognizing Reckless with a monument at the National Museum of the Marine Corps and at Camp Pendleton, but she has now recorded the full story of this four-legged war hero who hauled ammunition to embattled Marines and inspired them with her relentless, and reckless, courage.

The American Western A Complete Film Guide
  • Language: en
  • Pages: 474

The American Western A Complete Film Guide

  • Type: Book
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  • Published: 2012-11-18
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  • Publisher: Lulu.com

A comprehensive film guide featuring films and television shows of the great American western. The stories of the men and women who tamed the old West. Also featuring actors and directors who made these films possible.

The Baseball Filmography, 1915 through 2001, 2d ed.
  • Language: en
  • Pages: 559

The Baseball Filmography, 1915 through 2001, 2d ed.

  • Type: Book
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  • Published: 2016-03-23
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  • Publisher: McFarland

Since the first baseball movie (Little Sunset) in 1915, Hollywood has had an on-again, off-again affair with the sport, releasing more than 100 films through 2001. This is a filmography of those films. Each entry contains full cast and credits, a synopsis, and a critique of the movie. Behind-the-scenes and background information is included, and two sections cover baseball shorts and depictions of the game in non-baseball films. An extensive bibliography completes the work.

Pictures About Extremes
  • Language: en
  • Pages: 253

Pictures About Extremes

  • Type: Book
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  • Published: 2017-02-10
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  • Publisher: McFarland

This traditional auteurist survey closely examines the films of director John Frankenheimer, assessing the thematic and stylistic elements of such films as The Iceman Cometh, The Manchurian Candidate, and Bird Man of Alcatraz. It begins with a complete overview of Frankenheimer's life and career. A chronology lists production history details for each of his films, and a comprehensive biography draws attention to Frankenheimer's early artistic development. Subsequent chapters categorize his films by genre and theme, examining each film through analytical critiques and plot synopses. Multiple appendices include an analysis of Frankenheimer's short films Maniac at Large and Ambush, a complete filmography, and a suggested reading list.

Who Was Who on TV
  • Language: en
  • Pages: 579

Who Was Who on TV

The information herein was accumulated of fifty some odd years. The collection process started when TV first came out and continued until today. The books are in alphabetical order and cover shows from the 1940s to 2010. The author has added a brief explanation of each show and then listed all the characters, who played the roles and for the most part, the year or years the actor or actress played that role. Also included are most of the people who created the shows, the producers, directors, and the writers of the shows. These books are a great source of trivia information and for most of the older folk will bring back some very fond memories. I know a lot of times we think back and say, "Who was the guy that played such and such a role?" Enjoy!

Cyborgs, Santa Claus and Satan
  • Language: en
  • Pages: 289

Cyborgs, Santa Claus and Satan

  • Type: Book
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  • Published: 2015-09-03
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  • Publisher: McFarland

In the three decades since the first SF film produced for television--1968's Shadow on the Land--nearly 600 films initially released to television have had science fiction, fantasy, or horror themes. Featuring superheroes, monsters, time travel, and magic, these films range from the phenomenal to the forgettable, from low-budget to blockbuster. Information on all such American releases from 1968 through 1998 is collected here. Each entry includes cast and credits, a plot synopsis, qualitative commentary, and notes of interest on aspects of the film. Appendices provide a list of other films that include some science fiction, horror, or fantasy elements; a film chronology; and a guide to alternate titles.

The Official Splatter Movie Guide, Volumes: 1963-1992
  • Language: en
  • Pages: 634

The Official Splatter Movie Guide, Volumes: 1963-1992

Combining both volumes of the original print editions, The Official Splatter Movie Guide, Volumes I & II is a dream come true for splatter aficionados: a film-by-film guide to more than eight hundred masterworks of blood and gore. Each listing contains the film's movie studio, date of release, running time, director, producer, writer, and actors, along with a synopsis and review of the film.

The Greatest Westerns Ever Made and the People Who Made Them
  • Language: en
  • Pages: 321

The Greatest Westerns Ever Made and the People Who Made Them

The Greatest Westerns Ever Made and the People Who Made Them provides an eclectic review of the Western film and television genre, from John Ford’s classic, black and white films, to Deadwood and indie darlings. Screenwriter Henry C. Parke presents a nuanced look at Hollywood’s dramatization of historic events, the common themes and archetypes of Western movies, and the characters we love (and sometimes love to hate). This book also features essays and interviews with influential Western filmmakers, character actors, the women of Western films (in front of and behind the cameras), and the Native American perspective on Western films and Hollywood’s portrayal of Native American people.