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Vik Muniz Show
Viz Muniz is celebrated for his joyful, quirky, dark and occasionally mind-boggling work that riffs on popular photographic imagery, referencing social icons and cultural realities and juxtaposing these themes in fascinating ways. This book features an extraordinary selection of works that span Muniz's entire career - more than 150 colour illustrations display the enormous range of Muniz's work and the disorienting and expansive logic of his world. International icon Elizabeth Taylor is portrayed with diamonds with as much reverence as Brazilian landfill workers whose portraits are created from the trash they collect. The Mona Lisa is recreated in peanut butter and jelly. Artist Jackson Pollock is depicted in his studio in a work made entirely out of chocolate syrup.
Vik Muniz
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Vik Muniz
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Vik Muniz: Postcards from Nowhere
Not so long ago, it was relatively easy to wake up overlooking Victoria Harbour in Hong Kong and go to sleep in the shadow of the Brooklyn Bridge; to travel from Venice to Istanbul in time for dinner. The international network of the art world, in particular, made it easy to slip through time and borders--with the right invitation and the right passport. You may never have been to Basel, Switzerland for the art fairs, but you might certainly feel as though you have, experiencing it exclusively through the spate of other people's images. Vik Muniz's series Postcards from Nowhere grapples with how, through photographs, we have come to "see" and understand distant yet iconic sites we may never ...
Tudo até agora
Brazilian-born artist Vic Muniz, best known for recreating imagery from art history and pop culture using unexpected and everyday materials--chocolate syrup, disused computer parts and diamonds, to name just a few--preserves his socially and politically layered "drawings" in large-scale color photographs. Featured in some of the most important collections in the world from MoMA to the Metropolitan Museum and Tate Gallery, Munitz's audacious work and way of thinking to date is presented chronologically in this vividly designed boxed 2-volume catalogue raisonne. Comprised of over 1400 images, an introduction by independent curator Ligia Canongia and interview with Muniz by artist Luisa Duarte, each body of work is accompanied by an informative essay by the artist on his inspirations and methods. In an era when great art has become more familiar to us through photographs than by seeing the work itself, Muniz has created another context to define the familiar, his use of materials offering compelling political and social critique.
Vik Muniz: Reflex
Reflex: A Vik Muniz Primer is a privileged, guided tour of the contents of Muniz's pyrotechnic imagination, walking us through each of his major series.
Vik Muniz
An American artist of Brazilian origin, Vik Muniz stands out as one of the most articulate and innovative artists of his generation, equally at home working with images of chocolate sauce, spaghetti marinara, or the detritus of hole punchers. In doing so, he has carved out a unique niche within contemporary photography: one of trickster and philosopher as well as the creator of compelling, delightful images. Reflex: A Vik Muniz Primer is a privileged, guided tour of the contents of Muniz's pyrotechnic imagination, walking us through each of his major series. From Equivalents, his fluffy, sculpted cotton "clouds," to his latest color work, Magazines, Muniz accompanies each series with in-depth writing that tickles our minds with amusing anecdotes detailing his inspiration for each; fascinates by revealing his methodology and working process; and enlightens by unveiling the thinking and historical influences behind each image. [from the description to 'A Muniz primer'].
Vik
O livro traz uma retrospectiva das obras do artista, que tem o seu trabalho com temas ligados a denúncia da pobreza e da miséria, todos construídos com fragmentos de lixo e o os mais diversos e inimagináveis materiais, como o açúcar, café e o chocolate.
Vik Muniz
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Vik Muniz
While visiting The Menil Collection, Vik Muniz, creator of what he calls "photographic delusions," happened upon the museum's exhibition planning room, which contains a small-scale model of galleries filled with tiny copies of artworks from the permanent collection--museum curators use these models in planning installations. Fascinated, Muniz took digital pictures of the maquettes and, for the exhibition "Model Pictures," held at The Menil Collection in spring 2002, enlarged them to the scale of the original works of art that they represent. For the book "Model Pictures," a conceptual extension of the exhibition, he shrinks his photographs of the maquettes to their miniature size, or 1:12 of the original artworks.
