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The first time Veer set his eyes on Maia, he felt such an intense attraction that he was swept away by the magic. Strangely, Maia felt it too. Soon it became their lives. It was as if the only reality was this inexplicable force that drew them together. However, just like the whirlwind that it was, it tore them apart. A tragedy caught them unawares and jolted them out of their stupor. What it left in its wake was hatred—as potent as their love. Things did not end there. Several years later, fate played its dirty trick again and brought them face to face. This time the choice was theirs: to let their hatred destroy them or to give love another chance.
Senior journalist, writer, and filmmaker Maann Singh Deep is a popular name in cinema and journalism as well. By joining the film industry, besides making successful films such as 'Gunahgaar', 'Jurmana', 'Raja Bhaiya', 'Krishnavatar', 'Karantikshetra' and 'Gahri Chaal', he also produced a TV Serial “Ashiyaana”, aired on Doordarshan National Channel, which was a very popular serial of that time. In the early years of life, the writer started his career as a journalist and in addition to the Times of India, Hindustan Times and Anand Bazar Patrika Group, he wrote regular stories and poems in hundreds of other journals of India's other publishing house. He continued the amazing love associat...
Dear Friends, This book is collection of 5 short stories. They are unique, thriller and exciting. Those stories can be addressed as Science Fiction for teens, Story of Rebels, Supernatural interactions, mental emergence, paranormal activities etc. You will love the book. – Anurag Pandey Excerpts from stories: Muhnochwa (The face scratcher) Many rumors are spread in the area about Muhnochwa. Someone says Muhnochwa is a human-eater animal. Someone says Muhnochwa is a ghost or monster. Someone says he has seen Muhnochwa. Someone says he has fought with Muhnochwa. But none knows the truth that who the hell is Muhnochwa? From where does he come? And where does he go? Due to Muhnochwa, air of fe...
This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term ‘bad’ is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.
Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema’s least explored genres. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it rais...
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
This is the first book to investigate how mental illness is portrayed in Hindi cinema. It examines attitudes towards mental illness in Indian culture, how they are reflected in Hindi films, and how culture has influenced the portrayal of the psychoses. Dinesh Bhugra guides the reader through the history of Indian cinema, covering developments from the idealism of the 1950s to the stalking, jealousy and psychopathy that characterises the films of the 1990s. Critiques of individual films demonstrate the culture’s approach towards mental illness and reflect the impact of culture on films and vice versa. Subjects covered include: Cinema and emotion Attitudes towards mental illness Socio-economic factors and cinema in India Indian personality, villainy and history Psychoanalysis in the films of the 60s. Mad Tales from Bollywood will be of interest to psychiatrists, mental health professionals, students of media and cultural studies and anyone with an interest in Indian culture.
Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity.
These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 8 chronicles the Hindi film music of the decade between 2001 and 2010. This volume catalogues more than 1000 films and 8000 songs, involving more than 2000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...