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A collection of five autobiographical stories about author's life in Alaska, Cambridge, MA, Russia, and Estonia
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a se...
This collection presents the materials of the conference, which was devoted to the concepts of “chance”, “unpredictability”, “probability”, and “coincidence”. The book consists of three sections. The first section includes the papers that discuss cultural-historical problems in terms of such terminological opposition as “necessity vs. chance”, “predictable vs.unpredictable”, and “deterministic vs. stochastic”. The second section is devoted to the problems of indeterminism in Russian cultural history as they are reflected in Russian poetic, novelistic, cinematic and political discourses and narratives. The articles in the third section discuss cultural and political aspects of contemporary history of Central and Eastern Europe, and, in particular, J. Lotman’s communication with the Estonian academic and social milieu.
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