Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
La Promotion de la Justice, Des Droits de L'homme Et Du Règlement Des Conflits Par Le Droit International
This "Liber Amicorum" is published at the occasion of Judge Lucius Caflisch's retirement from a distinguished teaching career at the Graduate Institute of International Studies of Geneva, where he served as Professor of International Law for more than three decades, and where he has also held the position of Director. It was written by his colleagues and friends, from the European Court of Human Rights, from universities all around the world, from the Swiss Foreign Affairs Ministry and many other national and international institutions. The "Liber Amicorum Lucius Caflisch" covers different fields in which Judge Caflisch has excelled in his various capacities, as scholar, representative of Sw...
Literature and War
None
The Everyday Makers of International Law
This book offers a unique insight into the inner workings of international courts and tribunals. Combining the rigour of the essay and the creativity of the novel, Tommaso Soave narrates the invisible practices and interactions that make up the dispute settlement process, from the filing of the initial complaint to the issuance of the final decision. At each step, the book unravels the myriad activities of the legal experts running the international judiciary – judges, arbitrators, agents, counsel, advisors, bureaucrats, and specialized academics – and reveals their pervasive power in the process. The cooperation and competition among these inner circles of professionals lie at the heart of international judicial decisions. By shedding light on these social dynamics, Soave takes the reader on a journey through the lives, ambitions, and preoccupations of the everyday makers of international law.
André Malraux
André Malraux's output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux's work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux's writing, and also his life. An understanding of Malraux's determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
Violent Histories
This volume presents selected papers from the conference 'Violence, Culture and Identity' held at St Andrews University in 2003. It seeks to explore the ways in which French writing since 1920 has registered and reflected on the violent national traumas of the World Wars, the Occupation and decolonisation. The essays consider how these crises have led French writers to a critical, often painful reassessment of national, cultural and individual identity. Contributors trace the different challenges offered to any comfortable consensual notions of Frenchness, and to the structures of authority which invest in such a consensus. A recurrent preoccupation is the problematic issue of 'memory cultur...
Shaping the Novel
The dialogue between form and message is intrinsic to the novel as genre. Yet the strength of that discourse has been shaken in the twentieth century by an increasing doubt about affirmations of any kind and a growing awareness of the relativity of knowledge and perception. The novel reflects this intellectual current by turning its glance inward to mediate on the creative act as a form of self-contained assertion of its own particular significance. The three writers on whom this study focuses, all major twentieth century authors, were chosen because they can be considered as important representatives of this novelistic self-consciousness. Building on André Malraux's vision of the colloquium as an open-ended verbal interchange, this study calls upon the voices of Anne Hérbert and Patrick Modiano to enter into a dialogue on novelistic form.
The Walnut Trees of Altenburg
"One of the key texts of Malraux's work . . . [its] pages must be counted among the most haunting in all of twentieth century literature."—Victor Brombert "The description of the gas attack on the Russian front in 1915 will never be forgotten by anyone who has read it. . . . [Malraux] writes with the precision, the certitude and the authority of an obsessed person who knows that he has found the essence of what he has been looking for."—Conor Cruise O'Brien, from the Foreword Malraux's greatest novel, Man's Fate, gave a grim, lurid picture of human suffering. [The Walnut Trees of Altenburg], written by a life-long observer of violent upheaval and within the shadows of World War II, gives a calm, thoughtful vision of humanistic endeavor that can transcend the absurdity of existence. Mature readers will find this a rewarding visit to one of the most accomplished writers of our time."—Choice
Why Nietzsche Still?
"This anthology transgresses disciplinary boundaries (happily!), moving freely from issues conventionally framed by discourses in the humanities to those framed in the social and even the biological sciences."--Bernd Magnus, author of Nietzsche's Existential Imperative
