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The Irish Relations
An extensively documented collection of essays examining various aspects of Irish-American life in Philadelphia over a major portion of the nineteenth and twentieth centuries.
Paul Vincent Carroll
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Hegemony and Fantasy in Irish Drama, 1899-1949
Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
The Abbey Theatre
The present work is a composite biography that provides a forum to most of those who have been associated with the Abbey Theatre from the beginning to the present time: actresses, actors, playwrights, men of letters, producers, directors, stage carpenters, house electricians, and supporters of the theatre. It is hoped that the method used in this book will give a different impression from that of previous histories of the Theatre, and on balance probably a truer one.
The Merger
The Merger: M.D.s and D.O.s in California If you are interested in the recent history of the medical professions, this book is for you. If personal narratives of historical events speak to you as a second layer of documentation, this book is for you. If you are aware that in America there exist two separate yet equal, fully licensed physicians, M.D.s and D.O.s, you might be interested in learning about their unique relationship in California. If you know little about D.O.s, this book will give you a picture of their approach to patient care and to their M.D. colleagues. The osteopathic profession in California has a unique history, as it differs dramatically from the professions history in t...
Christianity On Trial
In "Christianity on Trial," Vincent Carroll and David Shiflett do not shrink from confronting the tragedies that have been perpetrated throughout the ages in the name of Christianity. But they argue that the current indulgence of anti-Christian rhetoric in our culture not only involves bad taste, but tunnel vision and willful historical illiteracy as well. Carroll and Shiflett dispassionately consider the indictment of Christianity--specifically that it has justified racism and misogyny, encouraged ignorance, and promoted the despoliation of the environment and even justified genocide. Then, in a narrative whose intellectual elegance and verve calls up comparisons to "How the Irish Saved Civ...
Official Register
None
The Profane Book of Irish Comedy
A fierce mirth characterizes antic Irish comedy. To the degree to which everyone sympathizes with the need to mock repressive authority, everyone is potentially Irish. It is the Irish dramatists themselves, says David Krause, that are the true authors of the profane book of Irish comedy. The body of literature they have produced desecrates the sacred in Ireland and launches a sardonic attack on the queen of Irish nationalism, Cathleen Ni Houlihan, the old sow who, according to Joyce's tragicomic jest, tries to devour her creative farrow. Krause discusses the major works of fourteen Irish playwrights—Samuel Beckett, Brendan Behan, Dion Boucicault, William Boyle, Paul Vincent Carroll, George...
My Father's Son
O'Connor is a young writer struggling to find his place and his voice in a profoundly changed Ireland. Gradually, he begins to establish a formidable reputation. Guests of the Nation and The Saint and Mary Kate belong to this period. The excitement of the Irish literary renaissance is made immediate as O'Connor tells of his friend the poet George Russell, who was the first to publish his work, and of his participation in the triumphs and rivalries of the Abbey Theatre. Here, beautifully rendered, are playwrights Lady Gregory, J. M. Synge, Lennox Robinson, and Sean O'Casey. Central to the book—as he was to O'Connor's life and work—is the complex and majestic figure of William Butler Yeats. The memoir ends with Yeats's death and with it O'Connor's realization that he can no longer divide his talent between his job and his passion. He begins, at last, his life as a writer.
Twentieth-Century Irish Drama
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
