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"A classic. . . . [It] will make an extraordinary contribution to the improvement of race relations and the understanding of race and the American legal process."—Judge A. Leon Higginbotham, Jr., from the Foreword Charles Hamilton Houston (1895-1950) left an indelible mark on American law and society. A brilliant lawyer and educator, he laid much of the legal foundation for the landmark civil rights decisions of the 1950s and 1960s. Many of the lawyers who won the greatest advances for civil rights in the courts, Justice Thurgood Marshall among them, were trained by Houston in his capacity as dean of the Howard University Law School. Politically Houston realized that blacks needed to develop their racial identity and also to recognize the class dimension inherent in their struggle for full civil rights as Americans. Genna Rae McNeil is thorough and passionate in her treatment of Houston, evoking a rich family tradition as well as the courage, genius, and tenacity of a man largely responsible for the acts of "simple justice" that changed the course of American life.
Billiwack, California, 1884. When translator Rosetta Stein comes across her rival, Bartholomew Vincent, under attack by weird, raven-headed man-beasts behind the infamous Puckered Rosebud Gentleman’s Club, she senses opportunity. She rescues him in exchange for a crack at the commission he stole from under her nose—a strangely inscribed artifact found by Big Sur bigwig George Taylor Granville in the Santa Lucia mountains. Misfortune has stalked Vincent from the moment he took on the project, and he’s only too happy to share it. In the meantime, a lady marshal has come to Billiwack, investigating rumors of strange, unlicensed weapons, and she can’t seem to decide if she’d rather kiss Rosetta or arrest her. And Vincent is suffering romantic complications of his own, in the forms of Rosetta’s charming layabout brother, and an amorous professor who won’t take God, no! for an answer.
On a dark and cold November night, Vincent is on his way to close the biggest deal of his life and pave the way for his dream of opening his own tax firm to become a reality. But when he is nearly killed by his cousin's henchmen, his life is forever changed. Readers can unravel a web of betrayal, suspense, danger and revenge in Jason Ross' gripping novel, Don't Wound What You Can't Kill. Vincent works for his cousin William and is only disloyal in the way that he is about to abandon him and open his own business. He had no intentions on using any of his cousin's money, which he could have easily embezzled without his cousin knowing a thing. A man with principles, Vincent is the one who infor...
The Hilldale Club of Darby, Pennsylvania, was the dominant team in black baseball during the 1920s. Their success came about largely through the efforts of Hilldale president and manager Edward Bolden. Bolden’s professionalism and reputation for fair play were instrumental in his forming the Eastern Colored (EC) League in 1922. This absorbing story, highlighted with vivid photographs, chronicles the origins and development of black baseball.
Inspired by Quakerism, Progressivism, the Social Gospel movement, and the theories of scholars such as W. E. B. Du Bois, Charles S. Johnson, Franz Boas, and Ruth Benedict, a determined group of Philadelphia activists sought to transform race relations. This book concentrates on these organizations: Fellowship House, the Philadelphia Housing Association, and the Fellowship Commission. While they initially focused on community-level relations, these activists became increasingly involved in building coalitions for the passage of civil rights legislation on the local, state, and national level. This historical account examines their efforts in three distinct, yet closely related areas, educatio...
This book is a comprehensive filmography of biographical films featuring the lives of 65 great classical composers. Performances analyzed include Richard Burton as Richard Wagner, Cornel Wilde as Frederic Chopin, Gary Oldman as Ludwig van Beethoven, Tom Hulce as Mozart, and Katharine Hepburn as Clara Schumann, among others. Arranged alphabetically by composer's name and illustrated1with stills and posters, the text provides a brief biography of each composer and analyzes the feature films portraying him or her. Emphasis is given to the factual accuracy of the screenplay, the validity of the portrayal, and the film's presentation of the composer's music.