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This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures....
The conquest of the New World would hardly have been possible if the invading Spaniards had not allied themselves with the indigenous population. This book takes into account the role of native peoples as active agents in the Conquest through a review of new sources and more careful analysis of known but under-studied materials that demonstrate the overwhelming importance of native allies in both conquest and colonial control. In Indian Conquistadors, leading scholars offer the most comprehensive look to date at native participation in the conquest of Mesoamerica. The contributors examine pictorial, archaeological, and documentary evidence spanning three centuries, including little-known eye...
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
In The Art of Being In-between Yanna Yannakakis rethinks processes of cultural change and indigenous resistance and accommodation to colonial rule through a focus on the Sierra Norte of Oaxaca, a rugged, mountainous, ethnically diverse, and overwhelmingly indigenous region of colonial Mexico. Her rich social and cultural history tells the story of the making of colonialism at the edge of empire through the eyes of native intermediary figures: indigenous governors clothed in Spanish silks, priests’ assistants, interpreters, economic middlemen, legal agents, landed nobility, and “Indian conquistadors.” Through political negotiation, cultural brokerage, and the exercise of violence, these...
Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe's colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employi...
Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation's aspiration of purported ...
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying c...
Burchardt did not love his life as a merchant. After his father's death, he used his small inheritance to be a privateer. But he was drawn out into the world. He prepared for his adventures by learning the languages of the inhabitants of Africa's coasts, Swahili, and Arabia's deserts. Thus he went to the Orient. Soon, in 1903, he traveled along the Persian Gulf, from Basra to Muscat in a hundred days. This journey is illuminated by his photographs. A book not only for globetrotters that invites comparisons of then and now through expertly discussed photos. Burchardt's lecture to the Gesellschaft fur Erdkunde in Berlin on the Gulf trip rounds out this bilingual volume.
German travellers, explorers, missionaries and scholars produced significant new knowledge about the Arctic in Europe and elsewhere from the 17th until the 19th century. However, until now, no English-language study or collective volume has been dedicated to their representations of the Arctic. Possibly due to linguistic barriers, this corpus has not been sufficiently taken into account in transnational and circumpolar approaches to the fast-growing field of Arctic Studies. This volume serves to heighten awareness about the importance of these writings in view of the history of the Far North. The chapters gathered here offer critical readings of manuscripts and publications, including travelogues, natural histories of the Arctic, newspaper articles and scholarly texts based on first-hand observations, as well as works of fiction. The sources are considered in their historical context, as political, religious, social, economic and cultural aspects are discussed in relation to discourses about the Arctic in general. The volume opens with a spirited preface by Professor Jean Malaurie, France’s most distinguished Arctic specialist and author of The Last Kings of Thule (1955).