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Virginia Astley has been a much admired songwriter and musician since the 1980s, known for her engaging lyrics as well as for her melodious style. 'The English River' is her first book-length poetry collection, showing many new sides to this multi-talented artist: as poet, nature writer, storyteller and photographer.
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Richard King's account of the several years he spent working in a Bristol independent record shop in the early 90s is destined to become a classic of music writing. We live in an age when the most beautiful of recording formats, vinyl, is back in vogue and thriving. In the early 90s, with the march of the cd and record company disinterest oin the format, vinyl was looking like an anachronism. And with its demise came the gradual erosion of a once beautiful and unique landscape known as the independent record shop. Richard King, author of How Soon is Now, blends memoir and elegiac music writing on the likes of Captain Beefheart, CAN and Julian Cope, to create a book that recalls the debauched glory days of the independent record shop. Chaotic, amateurish and extravagantly dysfunctional, this is a book full of rare personalities and rum stories. It is a book about landscape, place and the personal; the first piece of writing to treat the environment of the record shop as a natural resource with its own peculiar rhythms and anecdotal histories.
This conflict informs us not only of the complicated role that the circus played in Victorian society but provides a unique view into a collective psyche fraught by contradiction and anxiety.
From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationships While the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie, Virginia Grohl never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised children who became rock stars. Were they as surprised as she was about their children's ...
A cultural history of “Englishness” and the idea of England since 1960. Brexit thrust long fraught debates about “Englishness” and the idea of England into the spotlight. About England explores imaginings of English identity since the 1960s in politics, geography, art, architecture, film, and music. David Matless reveals how the national is entangled with the local, the regional, the European, the international, the imperial, the post-imperial, and the global. He also addresses physical landscapes, from the village and country house to urban, suburban, and industrial spaces, and he reflects on the nature of English modernity. In short, About England uncovers the genealogy of recent cultural and political debates in England, showing how many of today’s social anxieties developed throughout the last half-century.
'I love this book!' SARAH CRACKNELL, SAINT ETIENNE 'Poignant and wonderfully warm' CATHY NEWMAN, CHANNEL 4 NEWS 'Shows us how music has the power to change everything' JUDE ROGERS It is 1994. In a loft bedroom in North Yorkshire, fifteen-year-old Anna sits on the carpet immersed in the pages of Smash Hits, listening to cassette tapes that she keeps in a shoebox. She is dreaming of living inside the songs. The very same year, British music is about to be transformed and will leap from pop to rave to Britpop. This new universe will change Anna's life. Connection is a Song is a journey through the sounds of the 1990s; the story of a life-defining love of music and the tracks that shaped this gi...
As one of Britain's best-loved and most successful fanzines, Jamming ran for an impressive 10 years and 36 issues, documenting the changing musical landscape between 1977 and 1986 as it developed from a 6-page school publication to a nationally distributed monthly. Fully illustrated throughout, The Best of Jamming features stand-out pieces from the zines' momentous run, from early features on The Jam, The Alarm, Adam & The Ants, and the Dead Kennedys, to surprise exclusive interviews with the likes of Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others are included along with previously unseen interview manuscripts and many of Jamming 's arts and politics features too. Editor Tony Fletcher provides an introduction to each issue, and former star contributors and now-established musicians reflect on their interviews and Jamming 's influence and impact.
This journal portrays a country year, not as a calendar of flowerings and perennial rituals, but as an artist's impression, recording private special occasions and reflections prompted by a favourite scene or unexpected sight. Culled from two decades of diary notes, these entries evoke the natural year from the Scottish Highlands to the Cornish Cliffs: a red kite stops the mid-May traffic in Dyfed, July in Norfolk reveals Breckland's history and December brings a mistletoe auction in Worcestershire.