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Haroldo de Campos
This book is based on a series of papers that were presented at conferences at Oxford and Yale universities in honour of Haroldo de Campos as a poet, critic and translator. It is important for its critical focus on the concrete aesthetic in prose and poetry as well as the close-up of Haroldo de Campos by major names in international literary studies. A founder of the movement of concrete poetry in Brazil in the 1950s, Haroldo de Campos (1929-2003) was a distinguished essayist, translator, and theorist. Nicknamed by German semiotician Max Bense the locomotive of Sao Paulo, Campos's influence has been profound. He changed the course of Brazilian literature and Portuguese language poetry in over fifty years of devotion to their international and comparative dimensions. Caetano Veloso alludes to Campos in his songs, the Tropicalia movement made him known to an entire new generation, and the writing of poetry in Brazil came to reflect concrete techniques and materials."
Brazil, Lyric, and the Americas
"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized wor...
Seven Faces
"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.
Reading Visual Poetry
Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Re...
Experimental – Visual – Concrete
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, ...
The Environmental Imaginary in Brazilian Poetry and Art
This study contributes to ongoing discussions on the connections between the environmental imaginary and issues of identity, place and nation. Utilizing a delimited ecocritical approach, McNee puts Brazilian culture, through the work of contemporary poets and visual artists, into a broader, transnational dialogue.
Visual and Plastic Poetics
Characteristically a-syntactic and focusing on the word and poem as object, Brazilian concrete poetry (1950s onward) creatively and often playfully performs a critique of the ways in which we interact with language and literature. The concretist techniques move beyond the Brazilian borders to the Chilean neo-avant-garde of the 1970s and 1980s. Robinson for the first time demonstrates how three Chilean experimental poets, Cecilia Vicuña (1947-), Juan Luis Martínez (1942-1993) and Rodrigo Lira (1949-1981), develop and expand upon Brazilian concrete poetics. Furthermore, the Chilean recovery of the experimentations of concrete poetry transfers the critique of language from an international sphere to the severe political reality of Chilean politics, particularly during or in relation to the dictatorship of Augusto Pinochet. Rachel Robinson has published several articles on the works of Latin American experimental poets. She completed her DPhil at the University of Oxford in 2018 and a postdoctoral fellowship at the Instituto de Estudios Avanzados of the Universidad de Santiago de Chile in 2021. She will begin a Humboldt Foundation postdoctoral fellowship in Berlin this summer.
Novas
A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. --Northwestern University Press.
Antilogy
In the tradition of concrete poetry and Fluxus: visual poems and more from Brazilian artist and poet Alex Hamburger The visual poems, artists' books and poem objects of Brazilian artist and poet Alex Hamburger (born 1948) draw on Fluxus, Brazilian concretism and sound poetry. Antilogycollects works ranging from poems to abstract narrative to personal fantasy.
