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The Visual Display of Quantitative Information
  • Language: en
  • Pages: 197

The Visual Display of Quantitative Information

  • Type: Book
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  • Published: 2001-01-01
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  • Publisher: Unknown

Graphical practice. Theory of data graphics.

Visual Methodologies
  • Language: en
  • Pages: 304

Visual Methodologies

  • Type: Book
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  • Published: 2007
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  • Publisher: SAGE

Comprehensively revised and updated the Second Edition of the bestselling Visual Methodologies provides a critical introduction to the study and interpretation of visual culture. The Second Edition contains: - a completely new chapter on how to use the book - each chapter follows the same structure, making comparisons between methods easier - three extra chapters, each discussing a method not covered in the First Edition

The Perception of Visual Information
  • Language: en
  • Pages: 446

The Perception of Visual Information

Review of current knowledge, research, and theory on human vision, and the information processing it involves. Includes implications for image presentation and interpretation. For researchers in medical imaging and bioengineering.

Visual Allusions
  • Language: en
  • Pages: 304

Visual Allusions

In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.

Early Modern Visual Culture
  • Language: en
  • Pages: 424

Early Modern Visual Culture

  • Categories: Art

An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondenc...

Visual Culture
  • Language: en
  • Pages: 282

Visual Culture

  • Categories: Art
  • Type: Book
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  • Published: 2002-11
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  • Publisher: Routledge

This collection of original and exciting essays explores the 'visual' character of contemporary culture. Examining film, painting, propaganda, photography and television, this is an indispensible guide to this field.

Visual and Multimodal Communication
  • Language: en
  • Pages: 313

Visual and Multimodal Communication

"It is a truth universally acknowledged that visual information plays an ever greater role in modern communication. Undoubtedly, language remains our species' most sophisticated channel for exchanging information, but the verbal mode is increasingly complemented, sometimes even replaced, by other modes, among which the visual mode takes pride of place. Despite the fact that conveying information visually dates back to pre-historic times, accounting for visual communication in a scholarly viable manner remains difficult. One important reason for this is that while visuals (a broad term which in this book will be used to refer to all sorts of non-verbal information in static images, including ...

Visual Culture
  • Language: en
  • Pages: 467

Visual Culture

  • Categories: Art

“We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past,” declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art. CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner. Ebook Edition Note: Ebook edition note: all illustrations have been redacted.

The Art of Visual Notetaking
  • Language: en
  • Pages: 131

The Art of Visual Notetaking

  • Categories: Art

Improve your bullet journals, to-do lists, class notes, and everything in between with The Art of Visual Notetaking and its unique approach to taking notes in the twenty-first century. Visual notetaking is the perfect skill for journaling, class lectures, conferences, and any other time that retaining information is key. Also referred to as sketchnoting, visual notetaking is ideal for documenting processes, planning projects, outlining ideas, and capturing information. And as you'll learn in The Art of Visual Notetaking, this approach doesn't require advanced drawing or hand-lettering skills; anyone can learn how to use simple lines, connectors, shapes, and text to take dynamic notes. In The...

Visual Futures
  • Language: en
  • Pages: 182

Visual Futures

A collection of thoughtful and incisive examinations of how we interact and engage with the visual elements of our environments. In our everyday lives, we navigate a vast sea of visual imagery. Yet we rarely consider systematically how or why we derive meaning from this sea of the visual. Nor do we typically contemplate the effect it has on our motivations and actions as individuals and collectives. Visual Futures provides a new lens through which to analyze and challenge established perspectives, norms, and practices surrounding the visual. This edited collection ruminates on how visuality and the visual provoke a new kind of cultural exchange and explores the relationships, intersections, and collisions between visuality and visual practices and one (or a combination) of the following: embodiment, spatial literacy, emerging languages, historical reflection, educative practices, civic development, and social development.