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The "un-happy Ending"
Literary Nonfiction. Film Studies. In this book, Vito Zagarrio looks beyond the established concerns of Capra's interpreters. He illuminates aspects of Capra's works that were, so to speak, hiding in plain sight. "Not invisible but unnoticed," as Holmes says in A Case of Identity. Zagarrio reaches back in time before the standard canon of Capra scholarship to dig out neglected works made before the director's Academy Award-winning 1934 film It Happened One Night. In important early films such as Ladies of Leisure (1930) and Forbidden (1932), he discovers a despair deeper than humiliation and more permanent than the political machinations in which Smith and Doe found themselves enmeshed.
Quentin Tarantino
Quentin Tarantino è un regista "cult" amato dalle nuove generazioni. Un "ladro di cinema", un accumulatore di citazioni e di omaggi cinefili, un ibridatore di generi e di forme della cultura di massa, dal fumetto al romanzo pulp, dallo spot al videoclip, dal "B movie" alla serialità tv. Ma al tempo stesso è un Autore complesso che si può studiare da molti punti di vista e su cui conviene oggi fare una più seria riflessione.
Frank Capra
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John Waters
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Francis Ford Coppola
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Italian Cinema
"This book explores the evolution of Italian cinema over the last twenty years, with particular reference to modern masterpieces such as Tornatore's Oscar-winning Nuovo cinema paradiso. The volume focuses on the work of some of the most prominent directors of recent times, combining an auteurist perspective with an incisive overview of the most important thematic and stylistic developments in modern Italian film-making." --book cover.
Francis Ford Coppola
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Songs of Innocence and Experience
Songs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the director’s chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias views Capra’s films in two broader categories of “innocence” and “experience,” where “innocence” represents Dantean paradisal level, and “experience” combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra’s filmic universe and to describe the ever-evolving directorial vision of Frank Capra. The main purpose of the book is to demonstrate how, in the light of the theo...
Murder Made in Italy
Looking at media coverage of three very prominent murder cases, Murder Made in Italy explores the cultural issues raised by the murders and how they reflect developments in Italian civil society over the past 20 years. Providing detailed descriptions of each murder, investigation, and court case, Ellen Nerenberg addresses the perception of lawlessness in Italy, the country's geography of crime, and the generalized fear for public safety among the Italian population. Nerenberg examines the fictional and nonfictional representations of these crimes through the lenses of moral panic, media spectacle, true crime writing, and the abject body. The worldwide publicity given the recent case of Amanda Knox, the American student tried for murder in a Perugia court, once more drew attention to crime and punishment in Italy and is the subject of the epilogue.
Global Neorealism
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città ...
