Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.
SUNDAY TIMES MUSIC BOOK OF THE YEAR ROUGH TRADE BOOK OF THE YEAR MOJO BOOK OF THE YEAR In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar. A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music. A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes Music Boys is a remarkable memoir.
To Throw Away Unopened
SHORTLISTED FOR THE COSTA BOOK OF THE YEAR AWARDS 2018 What was I fighting for? Even now I'm not sure. Something so old and so deep, it has no words, no shape, no logic. Every memoir is a battle between reality and invention - but in her follow up to Clothes, Music, Boys, Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power, and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in blood-letting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger. It is a brutal expose of human ...
The England's Dreaming Tapes
The essential companion to England's Dreaming, the seminal history of punk.
Revenge of the She-Punks
As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, desc...
Art Decades
Issue 3 of ART DECADES contains exclusive new interviews with Maria McKee, Viv Albertine, Alma Jodorowsky with Burning Peacocks, Serena Czarnecki, G.B. Jones, Bleeding Skull and Laura Sfez. Original pieces by Heather Drain and Bryce Wilson are also included.
Art Sex Music
A SUNDAY TIMES, TELEGRAPH, ROUGH TRADE, PITCHFORK AND UNCUT MUSIC BOOK OF THE YEAR SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE Art Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades. It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle 'Wreckers of Civilisation' . . . shortly before he was arrested for indecent exposure, and whose work continues to be held at the vanguard of contemporary art. And it is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art. Art Sex Music is the wise, shocking and elegant autobiography of Cosey Fanni Tutti.
Typical Girls? The Story of the Slits
Wild, defiant and startlingly inventive, The Slits were ahead of their time, embodying the creative fire of punk music and rebellion like few others. Although they created unique hybrids - dub reggae and pop-punk, funk and free jazz - they were dismissed as being unable to play. Their lyrics were witty and perceptive, their debut album challenged perceptions of punk music and female bands, and their infamous album cover, with the group appearing topless and mud-daubed, provided as bold a statement as the Sex Pistols’ Queen. Yet the first ladies of punk were destined to be marginalised and disregarded. Now, forty years on, author Zoë Street Howe speaks to The Slits themselves, to former manager Don Letts, mentor and PIL guitarist Phil Levene, and many others who swirled within their cosmos to discover exactly how the Slits phenomenon erupted and to celebrate the legacy of a seminal band long overdue its rightful acclaim. Too long seen as a note in the margin of the history of rock, The Slits at last get a fair hearing.
Here Comes Everybody
October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan. Reviled by traditionalists for their frequently fast, often riotous interpretations of Irish folk songs, the Pogues rose from the sweaty chaos of backroom gigs in Camden pubs to world tours with the likes of Elvis Costello, U2 and Bob Dylan, and had huge commercial success with everyone's favourite Christmas song, 'Fairytale of New York'. Yet, the exuberance of their live performances coupled with relentless touring spiralled into y...
Punk Is Dead
This original collection of insight, analysis and conversation charts the course of punk from its underground origins, when it was an un-formed and utterly alluring near-secret, through its rapid development. Punk is Dead: Modernity Killed Every Night takes in sex, style, politics and philosophy, filtered through punk experience, while believing in the ruins of memory, to explore a past whose essence is always elusive.
I Was A Teenage Banshee
A Künstlerroman by British contemporary artist Sue Webster, which combines personal memoir with an exploration of the ongoing influence of youth, music, and Siouxsie and the Banshees on her life and work. Emanating from a poignant unpacking of objects and memories--which Webster has turned into a private exhibition to coincide with the publica-tion--this book positions the Banshees and the artist herself alongside visual references to everyone from David Bowie and the Sex Pistols to William Burroughs and Salvador Dalí--using the Banshees and the punk scene amid which she grew up as an entry point to reflect on the cultural and personal evolutions of the last decades. More than 300 illustrations combine ephemera with artwork and reveal the connection between influence and art: objects documenting her fanaticism of the Banshees, from record covers and photographs to ticket stubs and lyrics; paraphernalia from books, artists, and cultural figures that relate to the Banshees and that world of 1970s and early 1980s post-punk; personal effects from diary pages to unseen photographs; and selected artworks by Sue Webster and longtime partner Tim Noble.
