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Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
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This volume features the Thannhauser bequest of early modern art, made to the Guggenheim Museum in New York. With 32 pieces representing Picasso alone, the collection includes works by Manet, Gauguin, Degas, Van Gogh and Cezanne. A series of essays helps to place them in an art-historical context.
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-gar...
Studie over het werk van de Russische kunstenaar Vasilij Vasil'evic̆ Kandinskij (1866-1944) in het New Yorkse museum.
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Focusing on one of the lesser known Expressionist artists of the Blue Rider movement, this richly illustrated book presents the colorful paintings of Alexei Jawlensky. It illustrates how Alexei Jawlensky was influenced, apart from the German Expressionists, by the art of Vincent van Gogh, Paul Gauguin, Paul Cezanne, Henri Matisse and the Fauves, and by Ferdinand Hodler.
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"Mies in America offers readers a deeper immersion into Mies's thought than has been attempted before. Venturing a more complex response than the familiar reading of Mies as a grand master of modernism, these essays retrace the genesis of Mies's design in order to uncover his ambitions, investigate the implicit outlines of the Miesian city, follow the process of designing for America, and look at Mies as a touchstone for contemporary practice."--Jacket.