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Through a single descendant’s voice that speaks to the Sámi diaspora, this collection of poems is a journey through colonialism, transgenerational trauma, and identity. Many have heard of the Sámi reindeer herders brought to Alaska by Sheldon Jackson in the 1800s, but not much is known about the Sámi diaspora experiences in the state and beyond. The poems in Old Woman with Berries in Her Lap use the North Sámi language as well as graphics and various types of poetry to tell these stories of migration and diaspora. Vivian Faith Prescott’s use of language is both a celebration of the richness of the Sámi languages and a mourning of the loss of language that occurs when a population is...
On an Alaskan island beset by climate change, a Native seeks to preserve history: “An enthralling, engaging, mind-bending, time-bending story collection.” —Garth Stein, New York Times–bestselling author of The Art of Racing in the Rain Tova Agard’s world is literally falling apart: she’s just been disowned by her father in a violent confrontation over her sexuality, and climate change is about to wreak havoc on the world around her. In the midst of catastrophe, Tova meets Smithsonian Institute ethnologist John Swanton on an Alaskan-ferry time machine, trapping Swanton on Tova’s small hometown of Wrangell Island. Tova convinces Swanton that the island’s contemporary stories ar...
Filled with stories of family, food, and culture, and interwoven with personal recipes and photographs taken by the author, My Father's Smokehouse folds the reader into a beautiful island landscape. "Prescott emphasizes the importance of learning the traditional values of where one lives, gratitude for what the land and sea provide, and the responsibility to share with community." —Anchorage Daily News "[Prescott’s] book is filled with traditions, memories and stories surrounding Southeast Alaska life, including a family’s perseverance, the wisdom of Sámi and Tlingit cultures, and respect for elders and their knowledge of the culture. The smokehouse at the fish camp is named after her...
The 23 poems in The Last Glacier at the End of the World act as glacial bandings marking time and place, imagining a near future in the Anthropocene. Humans, animals, and ice share characteristics, and science and myth animate a symbiotic indigenous worldview. Ultimately, the poet and poems in this collection are witnesses to the effects of climate change on Alaskan communities.
Diversity has always been central to Alaska identity, as the state’s population consists of people with many different backgrounds, viewpoints, and life experiences. This book opens a window into these diverse lives, gathering stories and poems about lesbian, gay, bisexual, transgender, and queer life into a brilliant, path-breaking anthology. In these pages we see the panoply of LGBTQ life in Alaska today, from the quotidian urban adventures of a family—shopping, going out, working—to intimate encounters with Alaska’s breathtaking natural beauty. At a time of great change and major strides in LGBTQ civil rights, Building Fires in the Snow shows us an Alaska that shatters stereotypes and reveals a side of Alaska that’s been little seen until now.
Identity and understanding are fluid and plural, yet the histories of violence and oppression influence and shape everything in the world because the past, present, and future exist in the same plane and at the same time. Gagaan Xʼusyee / Beneath the Foot of the Sun is a unique collection of Indigenous cultural work and Lingít literature in the tradition of Nora Marks Dauenhauer and in the broader contemporary company of Joy Harjo and Sherwin Bitsui. Focused on the history of place and the Lingít and Haida people, who recognize little separation between life and art, these forty-six poems reach into the knowledge of the past, incorporate visions currently received, and draw a path for future generations. The collection is divided into four sections based on how the Lingít talk about g̱agaan—the sun. Featuring some poems in English, some in Lingít, and some that combine the beauty of the two, Gagaan Xʼusyee / Beneath the Foot of the Sun displays an equal dignity in both languages that transcends monolingual constrictions.
A collection of essays that evoke an adventurous spirit and the craving for myth, Spirit Things examines the hidden meanings of objects found on a fishing boat, as seen through the eyes of a child. Author Lara Messersmith-Glavin blends memoir, mythology, and science as she relates the uniqueness and flavor of the Alaskan experience through her memories of growing up fishing in the commercial salmon industry off Kodiak Island. “Spirit things” are those mundane objects that offer new insights into the world on closer consideration—fishing nets, a favorite knife, and the bioluminescent gleam of seawater in a twilight that never truly grows dark. Spirit Things recounts stories of fishing, ...
“This novel will reconvince you of the power of wilderness to heal a human heart” (Pam Houston, author of Contents May Have Shifted). Tara Marconi has made her way from Philadelphia to “the Rock,” a remote island in Alaska governed by the seasons. Her mother’s death left her unmoored, with a seemingly impassable rift between her and her father. But in this majestic, rugged frontier she works her way up the commercial fishing ladder—from hatchery assistant all the way to king crabber. Disciplined from years as a young boxer, she learns anew what it means to work, to connect, and—through an unlikely old tugboat—how to make a home she knows is her own. A testament to the places that shape us and the places that change us, The Alaskan Laundry tells one woman’s unforgettable journey in waters as far and icy as the Bering Sea, back to the possibility of love.
The second annual Carcinogenic Poetry print anthology, featuring over 90 indie writers from around the world.
Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as h...