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As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, desc...
Follow the Sacred Journey to Create One of the Lasting Musical Masterpieces of Our Time Bob Marley is one of our most important and influential artists. Recorded in London after an assassination attempt on his life sent Marley into exile from Jamaica, Exodus is the most lasting testament to his social conscience. Named by Time magazine as “Album of the Century,” Exodus is reggae superstar Bob Marley’s masterpiece of spiritual exploration. Vivien Goldman was the first journalist to introduce mass white audiences to the Rasta sounds of Bob Marley. Throughout the late 1970s, Goldman was a fly on the wall as she watched reggae grow and evolve, and charted the careers of many of its superst...
An unofficial history of Jamaican dance hall music told through its graphic design, Serious T’ings Gonna Happenbrings together more than 200 original posters and signs from the early 1980s through today, drawn from the poster collection of Jamaican film and television producer and director Maxine Walters. Jamaican dance hall emerged out of reggae in the late 1970s and brought with it a new visual style characterized by bright colors and bold, hand-drawn lettering. One-of-a-kind, hand-painted posters advertising local parties and concerts have become a ubiquitous part of Jamaica’s landscape, nailed (illegally) to poles and trees across the island. Over the past three decades Walters, who ...
Traces the history of modern Black music through text and photographs, celebrating the idea that there is a musical thread that travels throughout the world, changing the culture and music of each place it touches.
Poly Styrene was a singer-songwriter, an artist, a free-thinker, a post-modern style pioneer and a lifelong spiritual seeker: a true punk icon. But this rebel queen with the cheeky grin was also a latter-day pop artist with a wickedly perceptive gift for satirising the world around her. Based on interviews with those who knew and loved Poly (whether personally or through music) this honestly and openly explores her exceptional life, up until her untimely passing in 1991. It is about her growing up mixed-race in Brixton in the 1960s, to being at the forefront of the emerging punk scene with X-Ray Spex in the 1970s, to finding faith with the Hare Krishna movement, to balancing single motherhood with a solo music career and often debilitating mental health issues.--
This collection is one of two publications in the Fela Project.
"Showboat: Punk/Sex/Bodies explores sex in punk and punk in sex. Punk is often thought of as an almost asexual movement, in part because of its charged aversion to romance (see Johnny Rotten's notorious description of love as "2 minutes and 52 seconds of squelching noises"). Yet, its raw street sound triggered an exuberant, primal physical release among its youthful followers. For many punks, sex was used as a necessary shock tactic against the orthodoxies that held sway in conservative 1970s Britain. The status of punk as a radical subculture meant that it could freely explore sex without mainstream censorship; and this ability to openly express sex and sexuality provided punk with so much ...
The second monograph by celebrated music photographer Janette Beckman captures 'the look' of the musicians and kids who were loudly defining an era that continues to reverberate throughout pop culture. Made in the UK documents the years between 1977 and 1983, a time when British music pushed every boundary. Due to Beckman's career within Melody Maker, she had unique access to the musicians topping the UK charts - icons of an era when music had an agenda. Beckman's gritty aesthetic placed her on good footing among the kids and the attitude in her portraits never dies.