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In 1917 the Bolsheviks proclaimed a world remade. This book shows how Soviet cinema encouraged popular support of state initiatives in the years up to the Second World War, helping to create a new Russian identity & territory, an 'imaginary geography' of Sovietness.
This book marks the 60th birthday of Prof. Vladimir Erofeev – a well-known specialist in the field of wave processes in solids, fluids, and structures. Featuring a collection of papers related to Prof. Erofeev’s contributions in the field, it presents articles on the current problems concerning the theory of nonlinear wave processes in generalized continua and structures. It also discusses a number of applications as well as various discrete and continuous dynamic models of structures and media and problems of nonlinear acoustic diagnostics.
The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.
"Based on unique access to the IAEA Archives in Vienna and numerous interviews with leading diplomats and scientists, this book provides the first comprehensive, empirically grounded, and independent study on the history of the International Atomic Energy Agency"--
Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse...
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union an...
This book gives an insight into the current developments in the field of continuum mechanics. Twenty-five researchers present new theoretical concepts, e.g., better inclusion of the microstructure in the models describing material behavior. At the same time, there are also more applications for the theories in engineering practice. In addition to new theoretical approaches in continuum mechanics and applications, the book puts an emphasis on discussing multi-physics problems.
An Imaginary Cinema is the first systematic study of Sergei Eisenstein's unrealized films as well as a deeply informed historical and theoretical inquiry into the role and meaning of the unmade in his oeuvre. Eisenstein directed some of the twentieth century's most important films, from the early classic of montage, Battleship Potemkin, to his late masterpiece, Ivan the Terrible. Alongside these, however, the Soviet filmmaker also toiled over a compelling array of unrealized projects, from ideas that never grew beyond complex, passionate notebook scrawls and sketches to productions that were mounted and shot to some degree of completion without ever being finished. Working from the archival ...
This original collection of essays encompasses seventy years of Soviet cinema from the perspective of twenty academics of different backgrounds and nationalities. The book highlights significant moments in the history of Soviet cinema, providing a challenging montage of detailed `close-ups'. This gives the reader a clear understanding of the aesthetic developments and sociopolitical function of Soviet cinema.
The book contains proceedings of the XV International Scientific Conference INTERAGROMASH 2022, Rostov-on-Don, Russia. The agro-industrial complex is the most extensive and vital industry. It is rapidly developing by introducing the latest technologies and automating various processes necessary for the functioning of this area. The book is dedicated to engineering technologies of precision farming and agricultural robotics. It includes studies on natural resources variability, sustainable soil management, Agro Big Data, Internet of Things, software and mobile apps for precision agriculture, smart weather for precision agriculture, simulations models and decision support systems, expert syste...