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Nonlinear Wave Dynamics of Materials and Structures
This book marks the 60th birthday of Prof. Vladimir Erofeev – a well-known specialist in the field of wave processes in solids, fluids, and structures. Featuring a collection of papers related to Prof. Erofeev’s contributions in the field, it presents articles on the current problems concerning the theory of nonlinear wave processes in generalized continua and structures. It also discusses a number of applications as well as various discrete and continuous dynamic models of structures and media and problems of nonlinear acoustic diagnostics.
Chaos, Synchronization and Structures in Dynamics of Systems with Cylindrical Phase Space
This book develops analytical methods for studying the dynamical chaos, synchronization, and dynamics of structures in various models of coupled rotators. Rotators and their systems are defined in a cylindrical phase space, and, unlike oscillators, which are defined in Rn, they have a wider “range” of motion: There are vibrational and rotational types for cyclic variables, as well as their combinations (rotational-vibrational) if the number of cyclic variables is more than one. The specificity of rotator phase space poses serious challenges in terms of selecting methods for studying the dynamics of related systems. The book chiefly focuses on developing a modified form of the method of a...
Visions of a New Land
In 1917 the Bolsheviks proclaimed a world remade. This book shows how Soviet cinema encouraged popular support of state initiatives in the years up to the Second World War, helping to create a new Russian identity & territory, an 'imaginary geography' of Sovietness.
Soviet Cinema in the Silent Era, 1918–1935
The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.
Arctic Environmental Modernities
This book offers a diverse and groundbreaking account of the intersections between modernities and environments in the circumpolar global North, foregrounding the Arctic as a critical space of modernity, where the past, present, and future of the planet’s environmental and political systems are projected and imagined. Investigating the Arctic region as a privileged site of modernity, this book articulates the globally significant, but often overlooked, junctures between environmentalism and sustainability, indigenous epistemologies and scientific rhetoric, and decolonization strategies and governmentality. With international expertise made easily accessible, readers can observe and understand the rise and conflicted status of Arctic modernities, from the nineteenth century polar explorer era to the present day of anthropogenic climate change.
Life with an Idiot
Victor Erofeyev, a giant of contemporary Russian literature, has been hailed as the heir to the long- lost Russian avant-garde. The son of a high-ranking former Soviet diplomat, Erofeyev rebelled against Soviet values, and his works were banned until the Gorbachev era. His first translated novel, Russian Beauty, was published to great critical acclaim, and his writings in the New Yorkerhave won many American fans. Here, for the first time in English, is a collection of short stories written between 1978 and 1990, some of which have already acquired classic status in Russia. Written during the death-throes of the Soviet Union, though still relevant today, they have implications that are not restricted to Russia alone. In a nimble translation that preserves the dazzle and nuance of Erofeyev's rich language, Life with an Idiotwill introduce Victor Erofeyev to a new generation of readers.
Arctic Cinemas and the Documentary Ethos
Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of "T...
Mechanics of Generalized Continua
This collection on „Mechanics of Generalized Continua - from Micromechanical Basics to Engineering Applications“ brings together leading scientists in this field from France, Russian Federation, and Germany. The attention in this publication is be focussed on the most recent research items, i.e., - new models, - application of well-known models to new problems, - micro-macro aspects, - computational effort, - possibilities to identify the constitutive equations, and - old problems with incorrect or non-satisfying solutions based on the classical continua assumptions.
Directory of World Cinema: Russia 2
Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.
Oleg Tselkov
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