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Small Places, Operatic Issues
This book details original case studies that represent five different social positions or characterisations of opera: namely, opera as social showcase from Bayreuth (1748), social distinction from Ljubljana (1887), social conflict from Brno (1920), social status from Mantua (1999) and social manifest from Belgrade (2005). These positions, which indicate opera’s social diversity in local, regional, provincial, and peripheral terms, as well as its social mutuality in international, transnational, global, or metropolitan terms, generally promote the idea of opera as a social venue, cultural practice, theatrical scene, lyrical site, musical place, artistic experience, or transgenerational phen...
Opera as Anthropology
This book contemplates the relationship between opera and anthropology. It rests on the following central arguments: on the one hand, opera is quite a new and “exotic” topic for anthropologists, while, on the other, anthropology is still perceived as an unusual approach to opera. Both initial arguments are indicative of the current situation of the relationship between anthropological discipline and opera research. The book introduces the work of anthropologists and ethnographers whose personal and professional affinity for opera has been explicated in their academic and biographical accounts. Anthropological, ethnological, ethnographic, and semiotic accounts of opera by Claude Lévi-Str...
Opera, Power and Ideology
Opera is able to offer enchanting performance sites, in which people create and experience glamorous or ecstatic imagined worlds, but behind this picture we find a real social organization embraced by reality, which makes opera's world and its history accessible for ethnographic enquiry, historical reflection and cultural analysis. This book therefore presents the author's original anthropological study, which shows complex historical, socio-cultural, political, economic, ideological, academic and ethnographic facets of opera culture in Slovenia, including the field sites of both Slovenian national opera houses, in Ljubljana and Maribor. The study explicates how social representations of opera are produced and enacted by different social agents involved within the Slovenian national operatic habitus, and how opera is used as an idealized vision of nationhood and national identity in a provincial society.
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Antika za tretje tisočletje
Zbornik vsebuje petnajst razprav, ki z različnih zornih kotov osvetljujejo vprašanje, kakšno vlogo imajo antične študije v Sloveniji danes, ko tudi politično znova postajamo del Evrope, torej prostora, v katerem smo nastali kot narod z lastno kulturno identiteto. Namen zbornika je soočiti mnenja vidnih slovenskih raziskovalcev, ki se znanstveno udejstvujejo na različnih področjih, ki zadevajo antiko in srednji vek, ter jih predstaviti v njihovi skladnosti in razlikah.
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A Cultural History of the 1984 Winter Olympics
This book examines the 1984 Sarajevo Winter Olympic Games. It tells the story of the extensive infrastructural transformation of the city and its changing global image in relation to hosting of the Games. Reviewing different cultural representations of Sarajevo in the period from the 1960s to the 1980s, the book explores how the promotion of the city as a future global tourist centre resulted in an increased awareness among its populace of the city’s cultural particularities. The analysis reveals how the process of modernisation relating to hosting of the Olympics provided an opportunity to re-imagine the city as a particularly environmentally progressive city. Placed within the field of studies of late socialism, the book offers important insights into Yugoslav society during the period, including those relating to the country’s unique geopolitical position and its nationalities policies.
From Bayreuth to Burkina Faso
Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kéré. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, includ...
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