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Yale Italian Studies
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Political Realism in International Theory
In this 1996 book Roger Spegele argues that in the past international theorists have failed to recognise that there is not one conception of international relations, subdivided into different theories and approaches, but at least three wholly different conceptions of the subject. Though scholars are increasingly prepared to accept this, there is still no consensus about what to call these conceptions, how to describe them, and why they should be studied. This book attempts to fill this gap. The author first examines two conceptions of IR - positivism-empiricism and emancipatory international relations - which challenge political realism. He then defends a revised version of realism, called 'evaluative political realism', from challenges arising from its rivals, with the aim of defining a conception of political realism which is coherent, viable, and attractive.
These Are Strange Times, My Dear
"In these pointed and wide–ranging essays, Wendy Willis explores everything from personal resistance to the rise of political podcasts, civic loneliness to the exploitation of personal data, public outrage to the opioid crisis—all with a poet's gift for finding the sacred in the mundane, a hope in the dark. One of the country's sharpest observers of politics, art, and the American spirit, Willis returns often to the demanding question posed by Czech writer, activist, and politician Václav Havel: What does it mean to live in truth? Her view is honed by her place as a poet, as a mother, and, when necessary, as an activist. Together, the essays in These Are Strange Times, My Dear work within that largely unmapped place where the heartbreaks and uncertainties of one's inner life brush up against the cruelties and responsibilities of politics and government and our daily lives."
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
