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Lutoslawski on Music
The writings of twentieth-century Polish composer Witold Lutoslawski reveal many important aspects of his approach to music and his viewpoints as an artist and as a man. In Lutoslawski on Music, the first full collection of writings by this famous composer, Zbigniew Skowron has amassed an exciting assortment of essays, speeches, lectures, and articles, many of which are newly translated in English and previously unpublished. After an introductory autobiography, the writings, grouped in five parts, illustrate various aspects of the composer's creativity, and discuss musical form, compositional technique, and perception. Lutoslawski examines his own works as well as those of other composers, a...
The Diary of Georgi Dimitrov, 1933-1949
Georgi Dimitrov (1882–1949) was a high-ranking Bulgarian and Soviet official, one of the most prominent leaders of the international Communist movement and a trusted member of Stalin’s inner circle. Accused by the Nazis of setting the Reichstag fire in 1933, he successfully defended himself at the Leipzig Trial and thereby became an international symbol of resistance to Nazism. Stalin appointed him head of the Communist International (Comintern) in 1935, and he held this position until the Comintern’s dissolution in 1943. After the end of the Second World War, Dimitrov returned to Bulgaria and became its first Communist premier. During the years between 1933 and his death in 1949, Dimi...
The Nation Should Come First
This book is a thorough analysis of Marxist-Leninist historiographies in East Central Europe. It covers the period of Stalinism, from the late 1940s up to the early 1960s. The author's main interest lies in the Marxists' attitudes towards the traditions of German, Polish, Czech, and Slovak national movements and historiographies.
Munich, 1938
On September 30, 1938, British Prime Minister Neville Chamberlain flew back to London from his meeting in Munich with German Chancellor Adolf Hitler. As he disembarked from the aircraft, he held aloft a piece of paper, which contained the promise that Britain and Germany would never go to war with one another again. He had returned bringing “Peace with honour—Peace for our time.” Drawing on a wealth of archival material, acclaimed historian David Faber delivers a sweeping reassessment of the extraordinary events of 1938, tracing the key incidents leading up to the Munich Conference and its immediate aftermath: Lord Halifax’s ill-fated meeting with Hitler; Chamberlain’s secret discu...
Arms of Valor
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The Russo-Japanese War, Lessons Not Learned
Characterized by some authors as a rehearsal for the First World War, the Russo-Japanese War was arguably the world’s first modern war. During this war, the lethality of weapons on the 20th Century battlefield was clearly demonstrated. Recording the events of the Russo-Japanese War were military and civilian observers from every major power of the time. These observers wrote voluminous accounts of the war that clearly illustrated this new battlefield destructiveness. The research question of this thesis is what tactical lessons were available to the observer nations of the Russo-Japanese War that were not used in their preparations for World War I. This paper will look at both observer accounts of the war and professional journal articles written soon after the war to consider this question. To answer this question, the stationary Siege of Port Arthur and the maneuver Battle of Mukden are used as representative battles of this war. Reports from these two battles clearly demonstrate the lethality of modern warfare and foreshadow the combined effects of hand grenades, mortars, machineguns, and field artillery in World War I.
Composing the Party Line
This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and cont...
The Six Days of Destruction
"If you do not take up this text to pray, take it as a book to be studied. Once you have read these stories, they will not leave you, for they are part of human history." (From the Introduction by Albert Friedlander). The Six Days of Destruction is a religious text for use in both Jewish and interfaith services for Yom Ha-Shoah; it also stands on its own as a work of great poignancy. The six stories were written by Nobel Peace Prize Winner, Elie Wiesel, with liturgies by Rabbi Albert Friedlander. The book opens with prefaces by Cardinal Basil Hume, Bishop Richard Harries and Lord Jakobovits, and is illustrated with a collection of drawings by inmates of the Nazi concentration camps, introduced by Elisabeth Maxwell and Roman Halter.
Polish Round Table
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