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Renaissance Self-portraiture
An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.
Ringling
John Nicholas Ringling's years in Sarasota spanned the final quarter-century of his life. On Florida's west coast, as the Ringling's Circus became "the greatest show on earth," he collected Baroque paintings, European decorative art, and Italian statuary, built the ostentatious mansion Ca'd'Zan, developed and marketed most of the barrier islands around Sarasota Bay, and became the focus of a confusing pastiche of acclaim, misconception, and suspicion. Sarasota's Ringling Museum is his priceless cultural legacy to the people of Florida and the world of art--an inheritance at risk for the ten years that Ringling's estate was in probate. The author of this first intensive look at Ringling's presence in Sarasota sets the man against the backdrop of Florida from World War I through the land boom and the turbulent twenties into the depression years and Ringling's lapse into obscurity. Illustrated with nearly fifty black-and-white photographs, many never before published, this is the chronicle of a man, as the foreword claims, "who was not afraid to think or live on a grand scale, who knew what he wanted from life, and from art."
Pilgrimage to Images in the Fifteenth Century
A case study of the meaning and purpose of pilgrimage, based on the image of the 'scarred Virgin', Our Lady of Czestochowa. The tradition of pilgrimage to an image is so well-established as to be taken for granted. Throughout Christian history large numbers of people have made journeys to images associated with miracles, yet the phenomenon has never been a subject of detailed scholarly scrutiny. This book explores the issue through a case study of the origins of pilgrimage to one such image, Our Lady of Czestochowa in Poland. The shrine remains one of the most prominent pilgrimage destinations in the Catholic world: the striking focal panel painting shows the Virgin Mary with an apparently s...
Aristotelous Athēnaiōn Politeia
Sandys, Sir John Edwin. Aristotle's Constitution of Athens. A Revised Text with an Introduction Critical and Explanatory Notes Testimonia and Indices. Second edition, Revised and Enlarged. London: Macmillan & Co., Limited, 1902. xcii, 331 pp. Frontis. Illus. Reprinted 2000 by The Lawbook Exchange, Ltd. LCCN 99-23952. ISBN 1-58477-004-X. Cloth. $75. * By the author of the standard comprehensive history of classical scholarship, A History of Classical Scholarship. This scholarly examination of the textual evidence of the papyrus of what is known to be Aristotle's Constitution of Athens, which dated from 328 and 325 B.C., is enhanced by notes that pertain to the legal aspects of the work. A tho...
Drawings
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Zingis. A Tragedy
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The Grove Encyclopedia of Medieval Art and Architecture
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Paintings from the Samuel H. Kress Collection
"This is the concluding volume of the catalogue of paintings in the Kress Collection and deals with some 320 works of the German, Early Netherlandish, Flemish and Dutch seventeenth-century, Spanish and French schools. . .Short biographical details on each artist are followed by extensive critical catalogue entries on his works, discussing technique, condition, subject-matter, chronology and other problems. There is also a précis of previous literature on each painting, and the author's views and findings are given at the end." /
