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Modern Perspectives in Western Art History
  • Language: en
  • Pages: 548

Modern Perspectives in Western Art History

  • Categories: Art

A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.

Saint Sophia at Constantinople
  • Language: en
  • Pages: 100

Saint Sophia at Constantinople

  • Type: Book
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  • Published: 1999
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  • Publisher: Bauhan Pub

Clearly written and thoroughly researched, students scholars will find it invaluable

Hagia Sophia
  • Language: en
  • Pages: 132

Hagia Sophia

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

None

Modern Perspectives in Western Art History
  • Language: en
  • Pages: 528

Modern Perspectives in Western Art History

  • Categories: Art
  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

Research Guide to the History of Western Art
  • Language: en
  • Pages: 248
Hagia Sophia and the Byzantine Aesthetic Experience
  • Language: en
  • Pages: 321

Hagia Sophia and the Byzantine Aesthetic Experience

  • Categories: Art
  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identit...

The Art of Byzantium and the Medieval West
  • Language: en
  • Pages: 454

The Art of Byzantium and the Medieval West

  • Categories: Art
  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

None

Women in Pastoral Office
  • Language: en
  • Pages: 494

Women in Pastoral Office

Mary M. Schaefer examines the ninth-century church Santa Prassede and its foundation myth, as well as an ideal of balanced male-female relationships and women holding pastoral office in the church of Rome.

The First Urban Churches 7
  • Language: en
  • Pages: 399

The First Urban Churches 7

  • Type: Book
  • -
  • Published: 2022-11-11
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  • Publisher: SBL Press

The First Urban Churches 7 includes essays focused on the development of early Christianity from the mid-first century through the sixth century CE in the ancient Macedonian city of Thessalonica. An international group of contributors traces the emergence of Thessalonica’s house churches through a close study of the archaeological remains, inscriptions, coins, iconography, and Paul’s two letters to the Thessalonians. After a detailed introduction to the city, including the first comprehensive epigraphic profile of Thessalonica from the Hellenistic age to the Roman Empire, topics discussed include the Roman emperor’s divine honors, coins and inscriptions as sources of imperial propaganda, Thessalonian family bonds, Paul’s apostolic self-image, the role of music at Thessalonica and in early Christianity, and Paul’s response to the Thessalonian Jewish community. Contributors include D. Clint Burnett, Alan H. Cadwallader, Rosemary Canavan, James R. Harrison, Julien M. Ogereau, Isaac T. Soon, Angela Standhartinger, Michael P. Theophilos, and Joel R. White.

Painting in Stone
  • Language: en
  • Pages: 449

Painting in Stone

A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.