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The need has arisen for a comprehensive handbook for engineers faced with problems of radiation shielding design. Although there are several excellent books on shielding, they either do not give enough consideration to the many practical design problems, or are limited to special aspects of the subject. Recognizing the universal need, the International Atomic Energy Agency decided to sponsor the publication ofthe present Engineering Compendium on Radiation Shield ing. At the first editorial discussions it was agreed that, if such a book were to be undertaken, it would be appropriate not only to create a useful design tool for the practising engineer but also to include well-referenced basic data for the research worker. Although trying to keep the book down to a reasonable size, the editors have aimed at a complete presentation of the subject, covering and linking both the tech nology and the science of shielding. Efforts to make terms and definitions consistent throughout have been only partially successful, owing to the continuing development of new ideas. However, inconsisten cies that could not be eliminated are identified whenever possible.
Since Jan. 1901 the official proceedings and most of the papers of the American Association for the Advancement of Science have been included in Science.
Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society's value system, Richard Stites explores this dramatic shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and exserfs created or performed. Against this background, Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theatres to the imperial stages. Drawing on extensive archival research, Stites's richly detailed book re-visualises the culture of a flamboyant era and offers new perspectives on the origins of Russia's nineteenth-century artistic prowess.
This book is a precise and comprehensive history of the digital computer. It is the first collection of available information about the digital computer, beginning with the philosophical and logical advancements in the early 20th century that led to it. The book explores the histories and stories of the computer, tracing its roots and routes. It examines and analyzes commonly accepted views on the digital computer and its development, and offers clearer and more accurate alternatives to them. Its approach, though dealing with the introduction and development of the digital computer, is applicable to the history of technology in general. The central question considered here is, why were the a...