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Set in the first half of the twentieth century, but reaching back to Bavaria in the late nineteenth century, The Stone Carvers weaves together the story of ordinary lives marked by obsession and transformed by art. At the centre of a large cast of characters is Klara Becker, the granddaughter of a master carver, a seamstress haunted by a love affair cut short by the First World War, and by the frequent disappearances of her brother Tilman, afflicted since childhood with wanderlust. From Ontario, they are swept into a colossal venture in Europe years later, as Toronto sculptor Walter Allward's ambitious plans begin to take shape for a war memorial at Vimy, France. Spanning three decades, and moving from a German-settled village in Ontario to Europe after the Great War, The Stone Carvers follows the paths of immigrants, labourers, and dreamers. Vivid, dark, redemptive, this is novel of great beauty and power.
The Underpainter is a novel of interwoven lives in which the world of art collides with the realm of human emotion. It is the story of Austin Fraser, an American painter now in his later years, who is haunted by memories of those whose lives most deeply touched his own, including a young Canadian soldier and china painter and the beautiful model who becomes Austin’s mistress. Spanning decades, the setting moves from upstate New York to the northern shores of two Great Lakes; from France in World War One to New York City in the ’20s and ’30s. Brilliantly depicting landscape and the geography of the imagination, The Underpainter is Jane Urquhart’s most accomplished novel to date.
Set mainly in a remote westerly tip of Ireland in the 1940s and '50s, this stunning new novel from one of Canada's bestselling authors is at once intimate and epic in scope. Tam, an Englishwoman, has been living in this harshly beautiful region since shortly after World War II, in which she served as an auxiliary pilot. She is now leaving her lover, Niall, who, like his father before him, is a meteorologist. On her way to New York, the airliner she is traveling on becomes grounded by heavy fog at Gander Airport in Newfoundland. As she waits for the fog to clear, she notices an enigmatic mural that moves her to revisit not only the circumstances that brought her to Ireland but her intense rel...
It's summer 1889, a season of reckless stunts and river casualities in Niagara Falls. Four lives become entangled by the whirlpool at the Falls and the woods surrounding it. Darker and more sinister currents gain momentum and ultimately release them from their obsessions.
An enthralling first novel about a teenage girl who finds refuge -- but perhaps not -- in an 1840s Shaker community. After 15-year-old Polly Kimball sets fire to the family farm, killing her abusive father, she and her young brother find shelter in a Massachusetts Shaker community called the City of Hope. It is the Era of Manifestations, when young girls in Shaker enclaves all across the Northeast are experiencing extraordinary mystical visions, earning them the honorific of "Visionist" and bringing renown to their settlements. The City of Hope has not yet been blessed with a Visionist, but that changes when Polly arrives and is unexpectedly exalted. As she struggles to keep her dark secrets concealed in the face of increasing scrutiny, Polly finds herself in a life-changing friendship with a young Shaker sister named Charity, a girl who will stake everything -- even her faith -- on Polly's honesty and purity.
A stunning, evocative novel set in Ireland and Canada, Away traces a family’s complex and layered past. The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.
Two worlds are intertwined in this hauntingly beautiful story as it moves from Toronto to the English moors and to Venice, Italy. The time frame shifts between present and past, linking the lives of a young Brontë scholar (a woman in the throes of a troubled love affair), a turn-of-the-century female balloonist, and an elusive explorer with the ghost - or the memory - of Emily Brontë. Urquhart reveals something about the act of artistic creation, the ways in which stories enter our lives, and about the cyclical nature of love throughout time. This is a novel of darkness and light, of intense weather and inner calm.
Alice Munro hails Urquhart's "most compelling depiction of the sense of place in human lives." "Urquhart's writing is poetic, in the sense that it is beautifully compact and restrained when describing the most powerful emotions," says The Times. The author Claire Messud praises her as having "a great gift for the historical novel, for the melding of ideas, events and individuals into a significant whole." In Sanctuary Line Urquhart has created a nuanced and moving novel about family legacies, love, and betrayal. Solitary, nostalgic Liz Crane returns to her family's now-deserted farmhouse--once the setting for countless happy summers spent on the northern shore of Lake Erie--to study the migr...
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. "The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us." -- from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of d...
National bestseller From one of our nation’s most beloved and iconic authors comes a lyrical 150th birthday gift to Canada Award-winning author Jane Urquhart explores fifty Canadian objects that tell us who we are in a way never before done. The Globe and Mail praises Urquhart in writing about these objects “with an ethereal, emotional tangibility that is both nostalgic and energetic.” The artefacts include a Nobel Peace Prize medal, a literary cherry tree, a royal cowcatcher, a Beothuk legging, a famous skull and an iconic artist’s shoe, as well as an Innu tea doll, a Sikh RCMP turban, a Cree basket, a Massey-Harris tractor and a hanging rope, among an array of other unexpected and intriguing objects. Each object is beautifully illustrated by the noted artist Scott McKowen, with Jane Urquhart conjuring and distilling meaning and magic from these unexpected facets of our history. In this compelling portrait of a completely original country called Canada, a master novelist has given all of us a national birthday bouquet like no other.