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Taiwanese-Language Cinema
Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "e;Taiwanese"e; (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.
Thirty-two New Takes on Taiwan Cinema
A film-by-film introduction to Taiwan cinema and cultures
Martial Law Melodrama
Lino Brocka (1939–1991) was one of Asia and the Global South’s most celebrated filmmakers. A versatile talent, he was at once a bankable director of genre movies, an internationally acclaimed auteur of social films, a pioneer of queer cinema, and an outspoken critic of Ferdinand Marcos’s autocratic regime. José B. Capino examines the figuration of politics in the Filipino director’s movies, illuminating their historical contexts, allegorical tropes, and social critiques. Combining eye-opening archival research with fresh interpretations of over fifteen of Brocka’s major and minor works, Martial Law Melodrama does more than reveal the breadth of his political vision. It also offers a timely lesson about popular cinema’s vital role in the struggle for democracy.
Taiwanese-Language Cinema
Rethinks Taiwan's film history with new insights into its vibrant local-language popular cinema.
Japanese Taiwan
Colonial agents worked for fifty years to make a Japanese Taiwan, using technology, culture, statistics, trade, and modern ideologies to remake their new territory according to evolving ideas of Japanese empire. Since the end of the Pacific War, this project has been remembered, imagined, nostalgized, erased, commodified, manipulated, idealized and condemned by different sectors of Taiwan's population. The volume covers a range of topics, including colonial-era photography, exploration, postwar deportation, sport, film, media, economic planning, contemporary Japanese influences on Taiwanese popular culture, and recent nostalgia for and misunderstandings about the colonial era. Japanese Taiwan provides an interdisciplinary perspective on these related processes of colonization and decolonization, explaining how the memories, scars and traumas of the colonial era have been utilized during the postwar period. It provides a unique critique of the 'Japaneseness' of the erstwhile Chinese Taiwan, thus bringing new scholarship to bear on problems in contemporary East Asian politics.
2024台北金馬影展專刊
2024 台北金馬影展（金馬 61）於 11 月 7 日至 11 月 24 日展開。 金馬影展作為台灣歷史最悠久、規模也最大的影展，除了成為年度傑出華語電影的重要舞台，也負有把國際電影引入台灣的責任。 近兩百部精彩片單，不僅網羅國際名導巨星的最新力作，一鳴驚人的影壇新銳，還有影迷不可錯過的全新修復的影史經典。 此外，聚焦性別、奇幻、傳奇影事等規劃的招牌單元，依舊精采萬分。 而持續與社會建立對話的「金馬 X 司法」、帶領青少年深入電影世界的「影迷新世代」、提供視障朋友友善環境的「口述影像計劃」，都是金馬...
Le Cinéma taiwanais
Les œuvres de réalisateurs tels que Hou Hsiao-hsien, Tsai Ming-liang, Ang Lee ou Edward Yang ont d'ores et déjà acquis leur place dans l’histoire du septième art. Mais au-delà d’elles, que sait-on du cinéma taiwanais ? Quelles ont été les principales étapes de son développement ? De quel contexte historique, social, culturel et politique est-il ...
Catalogue Clermont FilmFest21
Catalogue du 43e Festival du Court Métrage de Clermont-Ferrand 2021
Catalogue Clermont FilmFest23
Catalogue du Festival du Court Métrage de Clermont-Ferrand 2023. 35e international - 45e national - 22e labo - 38e Marché du Film Court. 27 janvier au 4 février 2023
