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Richard Wagner for the New Millennium
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. A central concern of this study is the relationship between Wagner the artist and Wagner the social phenomenon. Many of the essays within explore the most difficult yet most crucial issue in Wagner studies: the impact of the composer's problematic world view and complex personal life on his musical/dramatic creations.
Modals, Pronouns and Complement Clauses
This is the second volume of the multi-volume set A Contemporary Grammar of British English Dialects. The book again offers qualitative as well as corpus-based quantitative studies on grammatical variation in the British Isles. The three parts investigate complement clauses (Daniela Kolbe), personal pronouns (Nuria Hernández) and modals (Monika Edith Schulz). The volume is of interest to dialectologists, sociolinguists, typologists, historical linguists, grammarians, and anyone working on the structure of spontaneous spoken English.
Newfoundland and Labrador English
This book is the first full-length volume to offer acomprehensive introduction to the English spoken in Britain's oldestoverseas colony, and, since 1949, Canada's youngest province. Within NorthAmerica, Newfoundland and Labrador English is a highly distinctive speechvariety. It is known for its generally conservative nature, having retainedclose ties with its primary linguistic roots, the traditional speech ofsouthwestern England and southern Ireland. It is also characterised by ahigh degree of regional and social variation. Over the past half century,the region has experienced substantial social, economic and cultural change. This is reflected linguistically, as younger generations of Newfo...
Dialectology meets Typology
In what ways can dialectologists and language typologists profit from each others' work when looking across the fence? This is the guiding question of this volume, which involves follow-up questions such as: How can dialectologists profit from adopting the large body of insights in and hypotheses on language variation and language universals familiar from work in language typology, notably functional typology? Vice versa, what can typologists learn from the study of non-standard varieties? What are possible contributions of dialectology to areal typologies and the study of grammaticalization? What are important theoretical and methodological implications of this new type of collaboration in the study of language variation? The 18 contributors, among them many distinguished dialectologists, sociolinguists and typologists, address these and other novel questions on the basis of analyses of the morphology and syntax of a broad range of dialects (Germanic, Romance, Balto-Slavic, Indo-Aryan).
Agreement, Gender, Relative Clauses
This volume offers qualitative as well as corpus-based quantitative studies on three domains of grammatical variation in the British Isles. All studies draw heavily on the Freiburg English Dialect Corpus (FRED), a computerized corpus for predominantly British English dialects comprising some 2.5 million words. Besides an account of FRED and the advantages which a functional-typological framework offers for the study of dialect grammar, the volume includes the following three substantial studies. Tanja Herrmann's study is the first systematic cross-regional study of relativization strategies for Scotland, Northern Ireland, and four major dialect areas in England. In her research design Herman...
Neighbours and Strangers
The 15 essays collected here focus on literary and cultural relations between Germany or Austria on the one hand and the neighbouring countries of eastern and southern Europe on the other, with particular reference to the period since the Wende, but also with a glance back to the period of German division. Topics include the overarching theme of psychological, political, historical and geographical boundaries and the perspective offered by German writers from both East and West on Poland, Russia and neighbouring countries. Equally important to the contributors are specific authors who have crossed national and cultural borders, such as Libuše Moníková, Irena Brežna, Richard Wagner and Hans Bergel. The role of memory, Vergangenheit, time and space are examined in the context of works by Anna Mitgutsch, W G Sebald, Christoph Ransmayr and Elisabeth Reichart, and the reception of the theories of Pierre Nora in the German-speaking countries. The re-emergence of the Right in politics, drama and film forms a further dimension explored in these essays. Neighbours and Strangers will be of interest to students and scholars working on contemporary German and Austrian culture.
Handbook of Accessible Communication
Accessible communication comprises all measures employed to reduce communication barriers in various situations and fields of activity. Disabilities, illnesses, different educational opportunities and/or major life events can result in vastly different requirements in terms of how texts or messages must be prepared in order to meet the individual needs and access conditions of the recipients of accessible communication. This handbook examines and critically reflects accessible communication in its interdisciplinary breadth. Current findings, proposed solutions and research desiderata are juxtaposed with reports from practitioners and users, who provide insights into how they deal with accessible communication and highlight current and future requirements and problems.
Wagner's Meistersinger
Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premiere in 1868. It was adopted as Germany's national opera ["Nationaloper"], not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The first section of this volume, "Performing Meistersinger," contains three commissioned articles from internationally respected artists - a conductor [Peter Schneider], a stage director [Harry Kupfer] and a singer [Dietrich Fischer-Dieskau], all experienced in the performance of this unusually demanding 5-hour work. The second section, "Meistersinger and History," examines both the representation of German ...
