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Gurdjieff
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Gurdjieff
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Sam Francis
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The Artist and His Critic Stripped Bare
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp ...
Philosophy and Art in Gurdjieff’s Beelzebub
This book demonstrates that the most forceful contribution to George Gurdjieff's world-view is Sufism, understood as the tradition of seeking truth wherever it can be found, especially at the meeting place of the world religions. Gurdjieff's masterpiece, Beelzebub's Tales to His Grandson, is philosophically analyzed in its use of literary devices to jolt the reader into radical transformation.
Vivant ou mort
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Isabelle Waldberg
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Gurdjieff: The Key Concepts
This unique book offers clear definitions of Gurdjieff's teaching terms, placing him within the political, geographic and cultural context of his time. Entries look at diverse aspects of his Work, including: * possible sources in religious, Theosophical, occult, esoteric and literary traditions * the integral relationships between different aspects of the teaching * its internal contradictions and subversive aspects * the derivation of Gurdjieff's cosmological laws and Ennegram * the passive form of "New Work" teaching introduced by Jeanne de Salzmann.
