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Bits & Pieces Put Together to Present a Semblance of a Whole
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early twentieth century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations and digital arts that range in date from classic early Modernist to cutting edge contemporary.
Question the Wall Itself
"Published on the occasion of the exhibition Question the Wall Itself, curated by Fionn Meade with Jordan Carter and organized by the Walker Art Center, Minneapolis"--Colophon.
Allen Ruppersberg
"Walker Art Center, Minneapolis, March 16-July 29, 2018, Hammer Museum, Los Angeles, February 10-May 12, 2019."
International Pop
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Freedom
"The future vision of a soon-to-be emancipated 19th century Negress."--Prelim. leaf.
The Fluxus Reader
Part I. Three histories : Developing a fluxable forum: Early performance & publishing / Owen Smith -- Fluxus, fluxion, flushoe: the 1970's / Simon Anderson -- Fluxus fortuna / Hannah Higgins -- Part II. Theories of Fluxus: Boredom and oblivion / Ina Blon -- Zen vaudeville: a medi(t)ation in the margins of Fluxus / David T. Doris -- Fluxus as a laboratory / Craig Saper -- Part III. Critical and historical perspectives: Fluxus history and trans-history: competing strategies for empowerment / Estera Milman -- Historical design and social purpose: a note on the relationship of Fluxus to modernism / Stephen C. Foster -- A spirit of large goals: fluxus, dada and postmodern cultural theory at two s...
Materializing Six Years
Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. “Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'” —Lucy R. Lippard, Six Years In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, do...
Siah Armajani
"Published on the occasion of the exhibition Siah Armajani: Follow This Line, organized by the Walker Art Center, Minneapolis, and the Metropolitan Museum of Art, New York, and curated by Clare Davies, Assistant Curator, The Metropolitan Museum of Art, with Victoria Sung, Assistant Curator, Walker Art Center."
Dutch Paintings of the Seventeenth Century
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
