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A Squirrel’S Breakfast
As the highest ranking female officer in her division, situated in a small town just north of London, Detective Inspector Ann Treadwell is usually the first person called when a case involves abuse against a woman. One such horrific event rears its ugly head when a young woman is found in a cage in an abandoned mine on the outskirts of town. Ann learns little from the traumatized victim but soon determines that she was kidnapped and held captive for an indeterminate amount of time and was quite possibly tortured. One look at the victim tells Ann that she must find who did this before he strikes again. However, Anns investigation is impeded by an eccentric boss and a host of misfit temporary ...
My Best for the Kingdom: History and Autobiography of John Lowe Butler, a Mormon Frontiersman
""My Best for the Kingdom provides a valuable history of several little-known events in early Mormon history--the Church in Tennessee and Kentucky in the 1830s, the Danites in Missouri, Mormon resistance to Missouri persecutions, ... the James Emmett expedition, [and] pioneer Spanish Fork, Utah...John L. Butler's autobiography, given here in full, rivals and adds to the accounts of Hosea Stout and John D. Lee in telling the Mormon story of the 1830s, '40s, and '50s. Butler was a valiant militiaman, missionary, frontiersman, and bishop. A fast-moving, informative, well-researched and well-told account of Mormonism on the frontier...and pioneer Utah.""--Leonard J. Arrington quoted on the back outside jacket. This is the 3rd printing of My Best for the Kingdom (ISBN 978-1-365-73968-2) and is the same as the 2nd printing (ISBN 978-0-9843965-2-8) and 1st printing (ISBN 1-56236-212-7) versions except that the front & end papers (family chart and map) on the previous versions are now included as the final two pages.
History of the Cherokee Indians and Their Legends and Folklore
Cherokee historian and genealogist Emmet Starr's greatest legacy was his 1922 "History of the Cherokee Indians and Their Legends and Folklore." It remains an invaluable resource for Cherokee historians and geneologists.
Hearings
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When Modern Became Contemporary Art
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead...
Dick Watkins
Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his curiosity about the relation of art to life by restricting himself to a ‘personal’ style. There followed a long and passionately adventurous exploration into many subjects and styles, during which Watkins was often the first to signal changes taking place in Western culture. The result is that for half a century he has been a major, if controversial figure in Australian art.
The New England Historical and Genealogical Register
Beginning in 1924, Proceedings are incorporated into the Apr. number.
