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Johnny Moore watched as the amazing airplane moved along the track. He wondered if the Flyer would make it off the ground and if the pilot would be able to stay in control. then suddenly it was up--soaring into the strong winds before plunging back to the ground. The flight of the Flyer had lasted only a few seconds, but it had flown! This historic 12-second ride will always be remembered as the first engine-powered flight. Young Johnny Moore was one of only five witnesses to Wilbur and Orville Wright's magical first. This is the story of that first flight and of the young boy who helped the Wrights make history.
The story of the Wright brothers' first historic flight at Kitty Hawk, told through the eyes of a local boy, includes a script for readers' theater.
The first complete collection of the known artwork of Polish writer and artist Schulz (1892-1941). Drawing from the Viennese Expressionists and the Old Masters, Schultz portrays his sense of personal and cultural degradation through scenes of grotesque eroticism and masochism. About 200 bandw drawings and sketches are reproduced. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Charles M. Schulz, the most widely syndicated and beloved cartoonist of all time, is also one of the least understood figures in American culture. Now, acclaimed biographer David Michaelis gives us the first full-length biography of the brilliant, unseen man behind Peanuts: at once a creation story, a portrait of a native genius, and a chronicle contrasting the private man with the central role he played in shaping the national imagination. Schulz and Peanuts is the definitive epic biography of an American icon and the unforgettable characters he created.
Being wrong is an inescapable part of being alive. And yet we go through life tacitly assuming (or loudly insisting) that we are right about nearly everything - from our political beliefs to our private memories, from our grasp of scientific fact to the merits of our favourite team. Being Wrong looks at why this conviction has such a powerful grip on us, what happens when this conviction is shaken, and how we interpret the moral, political and psychological significance of being wrong. Drawing on philosophies old and new and cutting-edge neuroscience, Schulz offers an exploration of the allure of certainty and the necessity of fallibility in four main areas: in religion (when the end of the world fails to be nigh); in politics (where were those WMD?); in memory (where are my keys?); and in love (when Mr or Ms Right becomes Mr or Ms Wrong).
This unique volume offers an overview of the diversity in research on communication, including perspectives from biology, sociality, economics, norms and human development. It includes general social science and humanities approaches to communication, from systems theory to cultural theory, as well as perspectives more specifically related to communication acts, such as linguistics and cognition. The volume also features chapters on the participants and various elements in communication processes, on possible effects and on wider consequences of mediation (with technical media). The scope of the contributions is global, and the volume is relevant to both the empirical and the philosophical traditions in human sciences. Designed as a stand-alone collection to engage undergraduates as well as postgraduates and academics, this is also the first book in, and an introduction to, the De Gruyter Mouton multi-volume Handbooks of Communication Science.
Before December 1903, flying in the air was just a dream for most people. That year, brothers Wilbur and Orville Wright went to North Carolina's Outer Banks. They were determined to make history with their motorized flying machine. Young Johnny Moore was one of the few people who believed in them. As a crowd gathered on the stormy beach, Johnny helped the brothers prepare for flight. He also wondered: would the Wrights succeed? In the back of this book, you'll find a script and instructions for putting on a reader's theater performance of this adventure. At our companion website—www.lerneresource.com—you can download additional copies of the script plus sound effects, background images, and more ideas that will help make your reader's theater performance a success.
The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.
Principles of Modern Architecture is a clear, concise, accessible account of what the modern movement really wanted and what it achieved by one of the world's leading architectural critics.