Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
(Un)masking Bruno Schulz
Whatever critical scalpel one selects for dissecting the literary works of Bruno Schulz (1892-1942), there will always be a certain degree of textual resistance which cannot be broken. Or in other words, taking off one of Schulz's many masks, one will probably never avoid the impression that a new mask has emerged. This book contributes to the three most typical critical strategies of reading Schulz's works (combinations, fragmentations, reintegrations) - being fully aware, of course, of the relativity of each particular approach. In addition, the book sets out to explore all of Schulz's creative output (i.e. his stories as well as his graphic, epistolary and even literary critical works), a...
Bruno Schulz and Galician Jewish Modernity
In the 1930s, through the prose of Bruno Schulz (1892–1942), the Polish language became the linguistic raw material for a profound exploration of the modern Jewish experience. Rather than turning away from the language like many of his Galician Jewish colleagues who would choose to write in Yiddish, Schulz used the Polish language to explore his own and his generation's relationship to East European Jewish exegetical tradition, and to deepen his reflection on golus or exile as a condition not only of the individual and of the Jewish community, but of language itself, and of matter. Drawing on new archival discoveries, this study explores Schulz's diasporic Jewish modernism as an example of the creative and also transient poetic forms that emerged on formerly Habsburg territory, at the historical juncture between empire and nation-state.
Bruno Schulz
Presents newly discovered letters and two short previously untranslated theoretical essays by Polish fiction writer Schulz (1892- 1942); an interview with Jerzy Ficowski, the foremost scholar on Schulz; five original interpretive essays; and an approach to his work in the form of a myth. Indexed only by names. Annotation copyrighted by Book News, Inc., Portland, OR
Bruno Schulz: An Artist, a Murder, and the Hijacking of History
A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers w...
The Fictions of Bruno Schulz: The Street of Crocodiles & Sanatorium Under the Sign of the Hourglass
The stories in these pages comprise all the surviving fiction of a man described by John Updike in the introduction as ‘one of the great transmogrifiers of the world into words’. They portray the doom-ridden yet comic world of a small Polish town in the years before the war, a world brought vividly to life in prose as memorable and as unique as are the brushstrokes of Marc Chagall.
Bruno Schulz
Bruno Schulz (1892-1942) was a Polish Jewish author, graphic designer and draftsman from Galicia. During the Soviet occupation (1939-41) and the Nazi occupation that followed, he created most of his graphic works, in part under orders from the occupying powers that controlled Poland. But in secret he portrayed his people and their suffering, especially that of the Jews in the ghetto during the two occupations. This book concentrates on the private drawings he made during his last years.
Inside the Head of Bruno Schulz
A masterful novella about one of the great writers of the 20th century "It is now certain that the false Thomas Mann must be an agent of the Secret State Police," wrote Bruno, after he had opened his notebook again, laid it neatly on the table, and bent over it like a cat with its back arched, "and I suspect he will not leave our town until we have all lost our wits." Bruno Schulz has foreseen catastrophe and is almost paralysed by fear. His last chance of survival is to leave the home town to which, despite being in his late forties, he clings as if to a comforting blanket. So he retreats into his cellar (and sometimes hides under his desk) to write a letter to Thomas Mann: appealing to the...
Letters and Drawings of Bruno Schulz
This dazzling collection of letters, essays, and narratives makes clear why Cynthia Ozick has called Schulz one of the most original imaginations in modern Europe. He was one of the most remarkable writers who ever lived.--Isaac Bashevis Singer.
The Drawings of Bruno Schulz
The first complete collection of the known artwork of Polish writer and artist Schulz (1892-1941). Drawing from the Viennese Expressionists and the Old Masters, Schultz portrays his sense of personal and cultural degradation through scenes of grotesque eroticism and masochism. About 200 bandw drawings and sketches are reproduced. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Collected Works of Bruno Schulz
Brings together Bruno Schulz's stories, letters and drawings in one volume. Schulz is the author of two collections of stories, Cinnamon Shops and Sanatorium under the Sign of the Hourglass.
