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This book-Behrendt's principle theoretical work in German and the precursor to Modern Building- presents a revisionist concept of style that places equal emphasis on form and function. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public.
Discussion and documents relating to an exhibition called "Frank Lloyd Wright, American Architect", held at the Museum of Modern Art from Nov. 12, 1940 to Jan. 5, 1941.
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in ...
For years one of Germany's foremost cultural organizations, the Werkbund included in its membership such pioneers of the modern movement as Henry van de Velde, Hermann Muthesius, Walter Gropius, and Mies van der Rohe. Joan Campbell traces its history from its founding in 1907 to 1934, when it was absorbed into the bureaucracy of the National Socialist State. The Werkbund set out to prove that organized effort could revitalize the applied arts and architecture. In addition to acting as an agent of reform, it provided a forum for the debate of such broad concerns as the need to restore joy and dignity to work in modem industry. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
At a time when the technologies and techniques of producing the built environment are undergoing significant change, this book makes central architecture’s relationship to industry. Contributors turn to historical and theoretical questions, as well as to key contemporary developments, taking a humanities approach to the Industries of Architecture that will be of interest to practitioners and industry professionals, as much as to academic researchers, teachers and students. How has modern architecture responded to mass production? How do we understand the necessarily social nature of production in the architectural office and on the building site? And how is architecture entwined within wider fields of production and reproduction—finance capital, the spaces of regulation, and management techniques? What are the particular effects of techniques and technologies (and above all their inter-relations) on those who labour in architecture, the buildings they produce, and the discursive frameworks we mobilise to understand them?
Catherine Bauer changed forever the concept of social housing and inspired a generation of urban activists to integrate public housing into the emerging welfare state of the mid-20th century. She was one of a small group of idealists who called themselves 'Housers' because of their commitment to raising the quality of urban life through improving shelter for low-income families. The story of her life and achievement is full of famous names in art and architecture. Her visionary teachings about the need for housing for the poor and disadvantaged, and the symbiotic relationship between good housing and a healthy society, remain as relevant as ever.
Their 160 letters from 1926-1958 covered a wide range of topics, including Wright's position on the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the United States.".
Künstliche Intelligenz (KI) hat Eingang in unzählige Branchen gefunden. In der Architektur steckt der Einsatz von KI noch in den Kinderschuhen, doch die Entwicklung der letzten Jahre hat vielversprechende Ergebnisse gebracht. Das Buch ist eine gut verständliche Einführung. Sie bietet einen Überblick über die Geschichte der KI und ihre ersten Anwendungen in der Architektur. Im zweiten Teil präsentiert der Autor konkrete Beispiele für den kreativen Einsatz von KI in der Praxis. Führende Experten, von der Havard-University bis zur Bauhaus Universität, eröffnen schließlich in Essays vielfältige Perspektiven auf das Potenzial von KI. Als Einführung zeigt das Buch ein Panorama dieser neuen technologischen Möglichkeiten und verdeutlicht so das Versprechen, das sie für die Architektur darstellen.
Considering the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s.
Lewis Mumford (1895-1990) is best known for his Sky Line column in the New Yorker where he served as architecture critic for over 30 years. A man of letters and part of Manhattan's intellectual elite, Mumford wrote more than 20 books over 6 decades, bridging the seemingly disparate disciplines of architecture, technology, literary criticism, biography, sociology and philosophy.