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The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories —thirty in all—and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity. The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.
This collection of twenty stories delves into the lives of Egyptian characters, from those living in Egypt to those who have immigrated to the United States. With subtle and eloquent prose, the complexities of these characters are revealed, opening a door into their intimate struggles with identity and place. We meet people who are tempted by the possibilities of America and others who are tempted by the desire to return home. Some are in the throes of re-creating themselves in the new world while others seem to be embedded in the loss of their homeland. Many of these characters, although physically located in either the United States or Egypt, have lives that embrace both cultures. "A Game ...
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Available Again at Last: Eugenia Riley’s Breathtaking Guardian/Ward Romance Set in the Steamy Old South! ROGUE OF NEW ORLEANS They called him “Julian the Terrible.” Handsome, well-born, and hot-blooded, Julian Devereux gambled, drank, seduced women, and fought duels beneath The Oaks. The one soft spot in his heart was for his beautiful young ward, Mercy O’Shea. Julian had rescued nine-year-old Mercy on that terrible, long-ago night when he was compelled to kill her father. Wracked by guilt, Julian sponsored Mercy’s education and saw to her every need—even though the spirited young miss swore to hate him forever. But now Mercy has blossomed into a passionate, headstrong young woma...
The word métis was originally used to identify children of French Canadian and Indian parents. It is now widely used to describe any of the descendants of Indian and non-Indian parents.
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Through some arrangement, she was married to a man with a crippled leg who wielded boundless influence. “I, Mason Yeich, will not accept a woman who bears the child of another man.”In what was initially thought to be a loveless marriage, she ended up accidentally giving her heart away. After a series of pushing and pulling, she eventually left him. Many years later a child who shares Mason’s face will be the one to land a slap on him.“Useless father, watch who you’re talking about!”
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Linda Goyette and Carolina Roemmich have tapped Edmonton's collective memoir, through the written record, the spoken stories and the vast silences. All of the people who ever lived at this bend in the North Saskatchewan took part in creating the city we know as Edmonton. Through traditional Indigenous stories about the earliest travellers along the bend in the river, diaries, archival records and letters of 19th century inhabitants and the recollections of living residents who talk about the emerging city, Edmonton's history is told using the words and stories of the people who have called this city home. Citizens with diverse viewpoints speak for themselves, describing important events in E...