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Nature and Ideology
The essays in this volume explore the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. They also investigate garden designers' use of earlier ideas of natural gardens and their relationship to the rich model that nature offers.
Warren H. Manning
Warren H. Manning's (1860-1938) national practice comprised more than sixteen hundred landscape design and planning projects throughout North America, from small home grounds to estates, cemeteries, college campuses, parks and park systems, and new industrial towns. Manning approached his design and planning projects from an environmental perspective, conceptualizing projects as components of larger regional (in some cases, national) systems, a method that contrasted sharply with those of his stylistically oriented colleagues. In this regard, as in many others, Manning had been influenced by his years with the Olmsted firm, where the foundations of his resource-based approach to design were ...
From Garden Art to Landscape Architecture
Originally, the area of responsibility for landscape architecture was based on the premise that the planning and creating of open spaces such as parks and gardens was the business of garden artists. Today, the training of landscape architects and future challenges of the profession include the protection of natural resources and the environment, urban planning or tourism - to name but a few. The international symposium “From Garden Art to Landscape Architecture - Traditions, Re-Evaluations, and Future Perspectives” addressed questions which, based on the idea of garden art, should help to reconstruct its historical development but also discussed the notion and the relevance of “art” in everyday work. The contributions critically reflect on the professional self-image of landscape architects at the beginning of the 21st century. The symposium in September 2018 was co-organized by the City and State Capital of Hannover’s Herrenhausen Gardens Division, the Deutsche Gesellschaft für Gartenkunst und Landschaftsarchitekturt (DGGL), the Volkswagen Foundation and the Centre of Garden Art and Landscape Architectur.
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Daniel Urban Kiley
Generally considered to be America's foremost postwar landscape architect, Daniel Urban Kiley's earlier work is not well known. This book focuses on several of his more creative projects from the 1940s and 1950s, including more elaborate alternate plans.
