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James Warren, Empire of Monsters
The definitive biography of the visionary publisher of Famous Monsters of Filmland, the magazine that inspired filmmakers Steven Spielberg, George Lucas, Joe Dante, and many more. This heavily illustrated biography features eye-opening ― often outrageous ―anecdotes about Warren, a larger-than-life figure whose ability as a publisher, promoter, and provocateur make him a fascinating figure. In addition to Forrest J. Ackerman’s Famous Monsters of Filmland, he published Help!, a magazine created by MAD’s Harvey Kurtzman, which featured early work by John Cleese, Gloria Steinem, Terry Gilliam, Robert Crumb, and Diane Arbus; Creepy and Eerie magazines, with covers by painter Frank Frazetta and comics art by Steve Ditko, Wallace Wood, Bernie Wrightson, Al Williamson, and many others. His most famous co-creation, the character Vampirella, debuted in her own magazine in 1969, and continues to be published today.
Behind the Tube
Behind the Tube (1990) tells the story of the unseen foundation of modern radio, TV and cable – the technology that enables programming to reach an audience. It charts the evolution of this technology in all its facets – technical, personal, economic and social. It captures the efforts, strategies, achievements and failures of prominent and unheralded figures and companies in the dynamic and competitive broadcast industry.
Film Policy
Film Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry. In a series of case studies drawn from North America, Europe, Latin America, Asia and Australia, the authors explore the relationship between Hollywood cinema product and national film cultures, and trace the development of international and national film policies, looking at issues of financing, regulation, protectionism and censorship.
All the News That's Fit to Sell
That market forces drive the news is not news. Whether a story appears in print, on television, or on the Internet depends on who is interested, its value to advertisers, the costs of assembling the details, and competitors' products. But in All the News That's Fit to Sell, economist James Hamilton shows just how this happens. Furthermore, many complaints about journalism--media bias, soft news, and pundits as celebrities--arise from the impact of this economic logic on news judgments. This is the first book to develop an economic theory of news, analyze evidence across a wide range of media markets on how incentives affect news content, and offer policy conclusions. Media bias, for instance...
Comic Art, Creativity and the Law
Graphic novels and comics have launched characters and stories that play a dominant role in contemporary popular culture throughout the world. The extensive revisions in this second edition of Comic Art, Creativity and the Law update the author’s analysis of important changes at the intersection of law and comics, featuring an examination of how recent cases will affect the creative process as applied to comic art.
Wonder Woman: Dead Earth
It’s Wonder Woman as you’ve never seen her before-fighting monsters in a postapocalyptic Earth, as brought to life in a daring sci-fi epic by visionary writer and artist Daniel Warren Johnson! Princess Diana of Themyscira left paradise to save Man’s World from itself. When Wonder Woman awakens from a centuries-long sleep to discover the Earth reduced to a nuclear wasteland, she knows she failed. Trapped alone in a grim future, Diana must protect the last human city from titanic monsters while uncovering the secret of this dead Earth-and how she may be responsible for it. Collects Wonder Woman: Dead Earth #1-4.
ComicBook Babylon
Digital version of Clifford Meth's ComicBook Babylon
Catalog of Copyright Entries. Third Series
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
