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Sheriff Warren Roberts
Sheriff Warren Roberts, who is called extremely lucky, is led through the most challenging adventures of his career. He proves time and time again that he is an ally for those who need him and a formidable force to be reckoned with for those breaking the law. His encounter with a ghost has him searching for a murderer while trying to save lives at the Mansion. The words in the title Sometimes the Only Choices refer to the only choices we might have in life as being bad ones, which is the Sheriffs dilemma dealing with bad circumstances he encounters.
Jacques-Louis David and Jean-Louis Prieur, Revolutionary Artists
A comparative study of the French Revolution's most famous artist and a little-known illustrator.
A Place in History
A journey into Albany’s historic past and the city’s role in three pivotal historical narratives: the American Revolution, the French Revolution, and the construction of the Erie Canal.
A Bibliography of D. H. Lawrence
This pre-eminent bibliography for D. H. Lawrence was extensively revised, updated and expanded by Paul Poplawski for publication in 2001.
Jane Austen and the French Revolution
This book argues that Jane Austin did know of the French Revolution and its effects on the European world, even though she never refers to it directly in her writing.
Jacques-Louis David, Revolutionary Artist
Roberts (history, U. of Albany) examines the connection between the artistic and political careers of French painter David (1748-1825), from his success in the ancien regime through his depiction of revolutionary themes, his organization of spectacles for the republican government, and his position as Napoleon's official painter, to his exile in Brussels. Includes 88 bandw reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Rossini and Post-Napoleonic Europe
Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe.
Robert Penn Warren, Critic
"Using a largely chronological approach, Charlotte Beck has carefully traced the evolution of Warren's criticism, focusing on seminal examples of the critical books, essays, and introductions that Warren produced over a period of almost seventy years. Her conclusions often run counter to previous evaluations of Warren's criticism, especially to those that complacently link Warren to Cleanth Brooks, his lifelong friend and collaborator, and to New Criticism in general. Beck demonstrates that Warren consistently treats writers holistically, taking into account biographical as well as historical data, to account for their entire body of work, rather than focusing on a single literary text."--Jacket.
