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"Dance and Authenticity" is an ethnography of dance performance and cultural form. It describes how "dabkeh," a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish "debkah" as a means of affirming Israeli Jewish belonging and common society. The Palestinian "dabkeh," in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.
This book brings together a leading team of international experts in arts and global development to showcase effective practice and to explore how this vibrant interdisciplinary field has developed and what the latest research can teach us. Although arts play a central role in human development, and in the health and wellbeing of individuals and communities, few have attempted to comprehensively explore arts practice as global development. This Handbook first provides a theoretical framework for exploring arts and global development, before surveying a comprehensive range of art forms and development practices to explore the potential of the arts to strategically and beneficially contribute ...
This book examines the role of education in building a new Palestinian state, and especially on the role and function of the education system in the process of state formation. Since education frames a people’s identity, the nature of the education system affects how Palestinians relate to their state. Through education the Palestinian Authority (PA) transforms the parameters of identity to serve the requirements of state-building and the peace process. International assistance to the PA affects all of these processes through the disbursal of political rent, whose primary function is to bolster the PA and to keep the peace process going. The new Palestinian Authority has assumed two seemin...
Abdullah, Amal Kharisha Barghouthi, Rita Giacaman, May Mistakmel Nassar, Amal Wahdan / Sahar Khalifeh ; translation by Nagla El-Bassiouni -- Intifada year four: notes on the women's movement / Rita Giacaman and Penny Johnson -- Palestinian women's activism after Oslo / Amal Kawar -- The declaration of principles on Palestinian women's rights: an analysis / Suha Sabbagh.
Winner of the Counter Current Award at the 2023 Palestine Book Awards All national identities are somewhat fluid, held together by collective beliefs and practices as much as official territory and borders. In the context of the Palestinians, whose national status in so many instances remains unresolved, the articulation and 'imagination' of national identity is particularly urgent. This book explores the ways that Palestinian intellectuals, artists, activists and ordinary citizens 'imagine' their homeland, examining the works of key Palestinian and other thinkers and writers such as Edward Said, Ghassan Kanafani, Naji Al Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa. Deploying decolonial and resistance concepts, such as Palestinian sumud, Tahrir Hamdi argues that the imaginative construction of Palestine is a key element in the Palestinians' ongoing struggle. An interdisciplinary work drawing upon critical theory, postcolonial and decolonial studies and literary analysis, this book will be of interest to students and scholars of Palestine and Middle East studies and Arabic literature.
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“[A] monumental contribution to Palestinian studies . . . an indispensable resource for those interested in Middle Eastern folklore, music, history, and politics.” —Journal of Folklore Research Drawing from a long history of indigenous traditions and incorporating diverse influences of surrounding cultures, music in Palestine and among the millions of Palestinians in diaspora offers a unique window on cultural and political events of the past century. From the perspective of scholars, performers, composers, and activists, Palestinian Music and Song examines the many ways in which music has been a force of representation, nation building, and social action. From the turn of the twentieth century, when Palestine became an exotic object of fascination for missionaries and scholars, to twenty-first-century transnational collaborations in hip hop and new media, this volume traces the conflicting dynamics of history and tradition, innovation and change, power and resistance.