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"Beyond introducing the subject matter and critically surveying the state of scholarship, this introduction offers a substantial theoretical and methodological elucidation of the book's approach that is also relevant for readers not strictly interested in the specialized subject. Combining perspectives from religious studies, global history, South Asian studies, and the study of esotericism, the foundations of global religious history are discussed both in abstraction and in light of the source material. This especially considers historiographical challenges such as (post)colonialism, Eurocentrism, or Orientalism, as well as issues such as the blurry meaning of "global connections" and differentiations between the global, regional, and local. Leading themes such as the contested meaning of tradition, revival, reform, and modernity are scrutinized, as are the relationship and meanings of religion, science, esotericism, and nationalism that remain the subject of scholarly debate. Global religious history makes proposals for resolving such debates by eliding disciplinary boundaries"--
This is a Comprehensive Survey of the Bhakti Movement as it sprang in South India to spread across the subcontinent in independent and multifarious manifestations yet marked with amazing commonalities. Spanning a period of 11 centuries starting from the 6th CE, the movement encompassed in its sweep a vast range of dimensions; Social, political, economic, religious, cultural, linguistic, ethical and philosophical. Among the multifarious movements which contributed to the formation of India and its Culture, the Bhakti was undoubtedly the most pervasive and persistent, says the author. Besides its sweep and depth, what proved most remarkable about the movement was that it arose almost everywher...
The Lost Age of Reason deals with a fascinating and rich episode in the history of philosophy, one from which those who are interested in the nature of modernity and its global origins have a great deal to learn. Early modernity in India consists in the formation of a new philosophical self, one which makes it possible meaningfully to conceive of oneself as engaging the ancient and the alien in conversation. The ancient texts are now not thought of as authorities to which one must defer, but regarded as the source of insight in the company of which one pursues the quest for truth. This new attitude implies a change in the conception of one's duties towards the past. After reconstructing the ...
"This book argues that a philosophical community emerges in sixteenth- and seventeenth-century India that crafts an intellectual life on the basis of intellectual and emotional responses to novelty in Sanskrit logic (nyāya-śāstra). As the book demonstrates, novelty was a primary concept used by Sanskrit logicians during this period to mark the boundaries of a philosophical community in both intellectual and emotional terms. This concept was expressed in their texts through the use of terms such as old and new when discussing certain philosophical opinions, signaling that periodization was a major component of their philosophy. By retaining space for emotion when studying intellectual thought, this book recovers not only what it means to 'think' novelty but also what it means to 'feel' novelty. Studying little-known essays by Sanskrit logicians in early modernity, the book explores the contours of what is termed 'intellectual novelty' and 'affective novelty' in Sanskrit logic-expressions of novelty in which is contained both cognitive and emotional content that, taken together, constitute intellectual life"--
Although Hudson died without completing 'The Body of God', the work has been edited and brought to fruition by Margaret Case. The book is a detailed study of a renowned Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 CE). Hudson uses this temple as an illustration of a major current and historical stage in South Indian Vaisnava religion.
Endeavouring To Accomplish An Intract-Able Tight Rope Walking, Indian English Literature Seeks To Incorporate Indian Themes And Experience In A Blend Of Indian And Western Aesthetics. What The Diverse Dimensions Of The Indian Experience And The Evolving Literary Form Are And Whether The Former Reconciles With The Latter Or Not Is Sought To Be Examined In The Present Volume Of This Anthology. A Strikingly Fresh Perspective On The Hitherto Unexplored Areas Of Old Works. A Bold And Incisive Critique Of New Works.
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