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40 Watercolorists and how They Work
The essays originally appeard on the watercolor page of American artist.
40 Watercolorists and how They Work
The essays originally appeard on the watercolor page of American artist.
The Watercolorist's Complete Guide to Color
Starting with the principles of colour theory, Hill presents an analysis of 40 popular pigments with important descriptions of colour temperature, transparency or opacity and degree of stain.'
Victorian Landscape Watercolors
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with...
Andrew Wyeth
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The Watercolorist's Answer Book
Your All-Inclusive Solution Guide Not sure which technique you need to improve your watercolor? Choose them all! The Watercolorist's Answer Book combines the wisdom, expertise and beautiful work of eight accomplished artists in one comprehensive volume. You'll find information on using and caring for materials, advice on basic and advanced techniques and useful tips for improving your paintings. The Answer Book includes: Techniques on brushwork, paper preparation, masking, measuring and drawing A complete explanation of the watercolor wash and all its variations The secrets to color, and how to use triads, analogous colors and colorful grays Sections on light and value, contrast, value scale...
The Emergence of the Professional Watercolourist
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
At the Temple of Art
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
40 Watercolorists and how They Work ; from the Pages of American Artist
Reproductions of representative examples of the work of watercolor painters are accompanied by statements by the artists on their medium, their working methods, and their lives
Great British Watercolors
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
