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For You the Living
From Chicago Horror author Wayne Allen Sallee comes this collection of zombie stories, told in the way only Sallee can, brutal, stark, filled with pain. Jay Bonansinga, co-author of THE WALKING DEAD and bestselling author of PERFECT VICTIM and PINKERTON'S WAR says of the title story: "Chicago has its share of treasures – deep dish, the Bean, Kingston’s blues, and Wayne Allen Sallee. Toiling in the stubborn vineyard of short fiction for most of his career, Sallee reaches a sort of a literary apogee with his brilliant and brutal horror novella “For You, The Living.” Ostensibly a plague tale, told in classic Lovecraftian diary form, Sallee’s yarn manages to deftly mingle the deeply personal with the gruesomely Grand Guignol. Riveting, ghastly, hilarious, creepy, and unforgettably Wayne-like, “For You, the Living” is at once a wholly original take on the zombie apocalypse genre while at the same time a heart-wrenching love story. This one will haunt you forever, folks. Highest recommendation!”
Write with Fire
"This guide to writing fiction is divided into three sections. Part One deals with the mechanics of writing. How do you get ideas and shepherd them through the writing and editing process into finished and publishable form? Where do you look for markets? Part Two consists of more general articles about writing and writers. Part Three includes pieces that are more personal to the author's own history as a writer. A bibliography of suggested reading completes the guide"--Page 4 of cover.
Horror Culture in the New Millennium
Horror Culture in the New Millennium: Digital Dissonance and Technohorror explores the myriad ways in which technology is altering the human experience as articulated in horrific storytelling. The text surveys a variety of emerging trends and story forms in the field, through both a series of critical essays and personal interviews with scholars, editors, authors, and artists now creating and refining horror stories in the new millennium. The project posits a rationale for the presence of technohorror as a defining concern in contemporary horror literature, marking a departure from the monstrous and spectral traditions of the twentieth century in its depictions of frightful narratives marked...
The Stretchman
The Stretchman is a being driven by hate and fear, able to reach into our world and drag humans and their dogs through a portal to The Dark Place where the half-human, half-dead walk. At the hands of the monster, high school band students are turned into their own musical instruments, a woman is crushed into a ball of bones and others are mutilated beyond any form of recognition. Its chaos defies imagination. In the small town of Plainledge, humans and their dogs must band together to defeat the otherworldly evils of The Stretchman.
A Dark Night's Dreaming
A Dark Night's Dreaming opens by defining the shape of horror fiction today, illuminating the genre's narrative themes, psychological and social contexts, and historical development. The core of the volume focuses on the lives and major works of the six who have dramatically shaped the genre: William Peter Blatty, Thomas Harris, Stephen King, Anne Rice, Peter Straub, and Whitley Strieber. A final chapter analyzes the complex relationship between horror fiction and its adaptation to film. Looking beyond the tormented maidens, madmen, monsters, and other archetypes of the genre, these critics differentiate contemporary Gothic fiction from that of earlier generations while demonstrating that horror remains one of the most important and consistent strains connecting the diverse elements of the American literary tradition. They comment on the genre's enormous popularity and undeniable influence in American society and scrutinize its changing representations of women, monsters, and gore. The volume concludes with an extensive bibliography of primary and secondary works.
Cut Me Open Make Me Whole
Storm Blackhorse is close to completing her final year of medical school in rural Minnesota. She's dreamt of becoming a surgeon ever since a traumatic childhood accident, leaving no distractions to break her focus until her rotation at the Kanopa Psychiatric Ward. During her rotation she takes interest in the patients she meets, becoming especially close to another Native American girl her age named Maliya, who convinces her that they are both sociopaths due to their violent upbringings. Their relationship descends into a whirlwind of murder, psychological terror, and the malevolent spirits of American Indian Chumash legend in a unique and mesmerizing, captivating tale unlike anything you’ve read before.
Poetry, Lyrics and Other Cries for Help
Singer, songwriter, actor, director, and author, Chuck W. Chapman is from Greenville, SC. Within these pages you’ll discover not only some of the utterly profound lyrics and prose poetry his life experience and passion has to offer, but his own brand of rock n’ roll macabre storytelling he’s been renown for in his horror and urban fantasy fiction. With that, we are proud to present a feast for your reading eyes in the words and tales only Chuck W. Chapman can tell.
Who I Killed at Camp Last Summer
Who I Killed at Camp Last Summer takes a first-person approach to the slasher genre, entirely from the killer’s perspective. It centers on a pair of horror-fanatic siblings, Ashley and Alex Byer, who attend a two-week summer camp with their school. The outlook of their adventure turns grim, however, when campers start dying in supposed accidents. The deaths are reminiscent of a previous camp, which got decimated by another killer some twenty years before. Soon many campers die, and no one is safe, as an old evil seems to have returned. This unique tale plays with the typical horror summer camp tropes and uses them in new and fun ways, while also touching on difficult human issues such as depression, identity, and the struggle of belonging, in a way no reader will ever forget.
