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Wayne Higby
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Infinite Place
A comprehensive and lavishly illustrated monograph of one of the most important American ceramic artists
Ceramics
"It is rare to find a book on art that presents complex aesthetic principles in clear readable form. Ceramics, by Philip Rawson, is such a book. I discovered it ten years ago, and today my well-worn copy has scarcely a page on which some statement is not underlined and starred."—Wayne Higby, from the Foreword
Mastering Raku
Covers such topics as the history and philosophy of raku, types of clay, forming techniques, firing, glazes and decoration. Types of kilns and kiln construction are also fully explained and the book includes a gallery of works from around the world along with updated clay and glaze recipes.
Bryce, Higbee and J.B. Higbee Glass
While the book is primarily dedicated to identifying Higbee wares, a complete listing of Bryce Brothers patterns is included. The book provides a similar list for Higbee patterns, carefully distinguishing between original wares and reproductions. Valuable reading for the collector of 19th and early 20th century pressed glass, this book includes an alphabetically arranged and illustrated section on all Higbee patterns, original catalog ad reprints, and a 1998 price guide. More than 600 items are shown in color.
Breaking Ground
It was in the rolling hills and small cities of western New York State that the studio craft movement took root and thrived. In the 1900's the region was home to Charles Fergus Binns' New York State School of Clay-Working at Alfred University, Elbert Hubbard's Roycroft community, Gustav Stickley's furniture and Steuben's Glass Works in Corning. In the mid-to late 20th century Alfred nourished such important ceramists as Daniel Rhodes, Robert Turner, and Anne Currier. In 1950 the School for American Craftsman (SAC) moved to Rochester, attracting artists including John Prip, Ronald Pearson who added to what is still today a vibrant community. AUTHOR: Barabara Lovenheim, journalist and author, has written on the arts and lifestyle for The New York Times, The Wall Street Journal, The International Herald Tribune and many national magazines. Paul J. Smith, Director Emeritus of the American Craft Museum (now Museum of Arts and Design) has been involved with the craft and design field for more than 50 years. 107 colour & 21 b/w illustrations
Makers
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Form & Fire
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A Potter's Companion
A collection of literature (essays, stories, poems) about the fascinating history, aesthetics and philosophy behind making pots, or any other works, by hand.
