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Originally published in hardcover in 2011.
This book is the one. The Wedding Dress: How to Make the Perfect One for You offers many indispensable tips - Advice on dresses to flatter every body shape All the information you will need on equipment Fabrics: selection and types Sewing techniques How to work from patterns How to alter patterns Say "Yes" to the dressmaker. Professional dressmaker Becky Drinan guides you through the entire process of making your own made-to-measure wedding dress Picture Perfect. 500 stunning, colorful and enlightening photographs and 45 illustrations will help you create the perfect gown. In addition to the three beautiful and elegant gown patterns, you will learn to sew: a lace bolero three veil styles Presenting 3 gorgeous gowns. These gowns embody the key styles featured in a number of the designs throughout the book. You can get to work right away: Three pull-out pattern sheets are enclosed in a clever pocket at the back of the book.
Bruidskledij en traditie 1850 - 1980.
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Although the Victorian white wedding dominates western bridal dress and large portions of former colonial empires, marriage rituals vary significantly throughout the world. The Japanese, for instance, combine both traditional ceremonies with receptions utilizing western approaches to dress. In the Andes the bride will personally create a multi-layered dress to showcase her weaving skills. Berber brides in Morocco wear binding clothing that covers their faces, a notable contrast to Canadian prairie-province brides whose stylized gowns individualize and enhance body shape. This engaging book examines the evolution and ritual functions of wedding attire within the context of particular cultures...
If dresses could talk, what stories might they tell? This compelling collection of short stories, essays, and poems features dress as the structural grounding for autobiographical accounts from women's lives in Western society. Often personal in nature, these «dress stories» point unfailingly to matters of social and cultural import. Some of the dresses described inhabit the popular imagination: the little girl dress, the communion dress, the school uniform, the prom dress, the wedding dress, the little black dress, and the burial dress. Beyond the semiotic, tactile, and visual aspects of the dresses themselves, the narratives delve into what dresses reveal about fundamental aspects of human experience: identity, embodiment, relationship, and mortality. Bought or made, then worn, forgotten, remembered, re-constructed, and re-interpreted, each dress offers a new glimpse into how we construct meaning in our daily lives, and how dresses serve to reinforce or resist social structures and cultural expectations.
If the language we use influences and reflects the way that we see the world, then the fields of LOVE, SEX, and MARRIAGE, will show how speakers of English view their closest social and emotional relationships. Love, Sex, and Marriage provides a classification of English terms for these three fields from the earliest written records of the language until the present day. This volume makes it possible to trace changing attitudes towards social and sexual ties, and to understand those ties as earlier speakers of English did, through the language they used. The terms are arranged by meaning, and are listed chronologically within semantic fields, with their dates of usage. Notes on individual terms provide further information about their connotations and development. Language does not exist in isolation from the people who speak it, so background information about changes in social conditions, religious beliefs, and medical advancements is also included. A brief introduction to basic semantic terminology explains the principles behind the classification, and an alphabetical index facilitates the location of individual terms.
The scripts of the Admiral's Men (later Prince Henry's Men), the Chamberlain's Men (later the King's Men) boy actors and Worcester's/Queen Anne's Men are examined in detail to document the differing costume practices of these companies, especially the ways in which in their earlier days they reconciled visual splendor with the greatest possible economy.
This authoritative resource presents a comprehensive history of clothing and accessories. "A mine of information" (Choice), the book covers every world culture with 650-plus entries, more than 2,100 black-and-white drawings, and eight pages of color illustrations. A detailed index makes it easy to locate garments from any era.
This book traces the development of wedding attire from the silver and white brocades of eighteenth-century formal, aristocratic weddings to the elegant crinoline revival of the late 1950s. Whenever possible, Shelley Tobin focuses on gowns and accessories where she can trace the provenance of the wearer, or the maker, to provide a social history of the past 300 years. The accoutrements of the brides reflected the luxury trades of the eighteenth and nineteenth centuries, but it was not until the 1850s that the white wedding became an established tradition. Even then, it was not available to everyone. Although formal, the wedding gown followed fashion and was often recycled as a suitable dress for the first presentation at court as a married woman. Wedding veils, if not passed down through the family, might also be used in another form, particularly as christening robes during the early twentieth century. The trend for producing costume dramas for stage and screen (e.g., Sense and Sensibility directed by Ang Lee, 1995) has seen the recreation of a number of period styles, and these in turn have influenced today's deigners.