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Film and Literature
Offered here is a consideration of films and the dramas or books from which they derive as seen through the eyes of literary critics, a veteran Hollywood producer, and the screenwriters themselves.
The Winter's Tale
A newly edited edition of The Winter?'s Tale, with a detailed introduction and full commentary.
The Tragedy of King Lear
This second edition of King Lear features a new introductory section by Jay L. Halio.
The Role of Place in Literature
The Role of Place in Literature is a groundbreaking study exploring the use of metaphors and images of place in literature. Lutwack takes a dynamic view of the relationship between place and the action or thought in a work. Drawing comparisons over a wide range of works, principally American and British literature of the nineteenth and twentieth centuries, he illustrates how writers have charged different environments with symbolic and psychological meaning.
Stages of Desire
Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from classical mythology. Through close readings of selected plays from early modern and twentieth-century Spanish literature with plots or characters derived from the Greco-Roman tradition, Michael Kidd shows that the concept of desire plays a pivotal role in adapting myth to the stage in each of several historical periods. In Stages of Desire, Kidd offers a new way of looking at the theater in Spain. Reviewing the work of playwrights from Juan del Encina to Luis Riaza, he suggests that desire constitutes a central element in a large number of Greco-Roman myths and shows how dramatists have exploited...
Early Modern Exchanges
The culture of early modern England and Europe was richly hybrid, forged through interactions between diverse nations and language communities, and through new encounters with the wider world beyond Europe. Ranging from the neo-Latin poetry of an English author to the Spanish plays of a nun in the New World, from royal portraits exchanged in diplomatic negotiations to travelling companions in the Ottoman Empire, this multidisciplinary volume presents exciting new research on early modern exchanges.
Women, Property, and the Letters of the Law in Early Modern England
Women, Property, and the Letters of the Law in Early Modern England turns to these points of departure for the study of women's legal status and property relationships in the early modern period.
Shakespeare and Donne
For more than fifty years, the proximity of Donne's work to Shakespeare's, including the range of their writings, has received scant attention. Centering on cross-fertilization between the writings of Shakespeare and Donne, the essays in this volume examine relationships that are broadly cultural, theoretical, and imaginative.
Conrad and Impressionism
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
Shakespeare in Performance
These studies of Shakespeare in performance take stage history as a means of knowing the play. Half these studies deal with casting: doubling, Chorus and the crowd, the star of Hamlet and Measure for Measure. The transformations of The Tempest and Dramatis Personae are analysed. Audience control is studied in King Lear, through Cordelia's asides, in Richard II with its subversive laughter, and in Henry IV with its scenic alternation of pleasure and duty. Performance is the realization of identity.
