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Performance and Femininity in Eighteenth-Century German Women's Writing
In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.
Performance and Femininity in Eighteenth-Century German Women's Writing
In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.
Performing the Nonhuman
This book radically reimagines theatre/performance pedagogy and dramaturgy in response to the accelerating climate crisis. This text is founded upon the principle that the theatre is the most anthropocentric of all the arts: the means of its representation, the human figure, is identical with its conventional object, the human narrative, broadly considered. In order to respond ethically to the climate crisis, it must expand its range to include performing as/in response to the nonhuman. Conrad Alexandrowicz concisely explores theoretical approaches to the other‐than‐human, found in the work of, among others, Jane Bennett, Timothy Morton, Rosi Braidotti, and Cary Wolfe. The implications o...
The Birth of Mankind
Between 1540 and 1654, The Byrth of Mankynde was a huge commercial success. Offering information on fertility, pregnancy, birth, and infant care, and written in a chatty, colloquial style, it influenced most other literary works of the period bearing on sex, reproduction, and childcare. Until now, this important text has been unavailable except for a microfilm of the 1654 edition. For this new annotated edition of the 1560 version, Elaine Hobby has modernized the spelling and included informative notes. In her critical introduction, she not only traces the development of the book from its German origins, but also shows how early-modern ideas about the reproductive process combined ancient, medieval, and contemporary conceptions. Combining editorial rigour with a concern for the needs of the informed non-specialist, Hobby has made available a text that will be useful to scholars and students in a range of academic disciplines, including literature, history, and women's studies.
Ghost Light
Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. As the field of dramaturgy continues to shift and change, this new edition prepares theatre students and practitioners to create powerful, relevant performances of all types.
Readings in Performance and Ecology
This ground-breaking collection focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values. Top scholars explore how familiar and new works of performance can help us recognize our reciprocal relationship with the natural world and how it helps us understand the way we are connected to the land.
Women and Literary History
"The essays provide new research into women's literary history from the late seventeenth century to the Modernist period covering topics such as women's science and anti-slavery writing, midwifery, women and the novel, and lesbian literary history. Essays discuss the writing of Jane Sharp, Jane Barker, Anne Finch, Aphra Behn, Elizabeth Barrett Browning, Harriet Jacob, Phebe Lankester, Pauline Johnson, May Sinclair, Amy Levy, Edith Ellis, and Amy Wilson Carmichael."--BOOK JACKET.
Aesthetics and Anthropology
"Aesthetics and Anthropology" is a collection of contributions by an international and interdisciplinary team of authors from the fields of anthropology, performance studies, curatorial studies and the arts. The title refers to the paths that lead to the in-betweens and the beyonds of aura and trace in the representation of life that is performed in aesthetic reflexivity. Aesthetic reflexivity refers not only to the authors' attempts at an interdisciplinary encounter with one another, but also to their encounter with the readers, and with the recipients of an intended message in an aesthetic dialogue. Our approach is innovative in that it looks upon aesthetics as a "topos of the living". We ...
Theatre History Studies 2016, Vol. 35
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
Three Loves for Three Oranges
In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.
