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. First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada.
Most emigration from England was voluntary, self-financed, and pursued by people who, while expecting to improve their economic prospects, were also critical of the areas in which they first settled. The exodus from England that gathered pace during the 19th century accounted for the greatest part of the total emigration from Britain to Canada. And yet, while copious emigration studies have been undertaken on the Scots and the Irish, very little has been written about the English in Canada. Drawing on wide-ranging data collected from English record offices and Canadian archives, Lucille Campey considers why people left England and traces their destinations in Ontario and Quebec. A mass of detailed information relating to pioneer settlements and ship crossings has been distilled to provide new insights on how, why, and when Ontario and Quebec acquired their English settlers. Challenging the widely held assumption that emigration was primarily a flight from poverty, Campey reveals how the ambitious and resourceful English were strongly attracted by the greater freedoms and better livelihoods that could be achieved by relocating to Canada’s central provinces.
In the fall of 1831, Mrs McIndoe and her children left Scotland to join her husband, William, a labourer on the Rideau Canal. When they arrived they discovered that William had already moved on, forcing Mrs McIndoe to appeal to the public to help reunite her family. As Elizabeth Jane Errington illustrates, the nineteenth-century world of emigration was hazardous. Emigrant Worlds and Transatlantic Communities gives voice to the Irish, Scottish, English, and Welsh women and men who negotiated the complex and often dangerous world of emigration between 1815 and 1845. Using "information wanted" notices that appeared in colonial newspapers as well as emigrants' own accounts, Errington illustrates...
A reinterpretation of the place of colonial Canada within a reconstructed British Empire that focuses on culture and social relations.
Cameron Simmons has always been haunted. It begins as a child, when Cam’s father bestows upon him an insult that will take a lifetime to outlive, blaming his slow development on a fictitious tortoise in his hair. From there, Cam’s hauntings multiply: The constant threat of the Vietnam War draft. Failed relationships—and chemical dependencies—that stack up like empty pill bottles. Unfulfilling career moves. And the nagging feeling that his life is just destined to mean . . . something, anything at all. Something—a powerful word. But these things form a pattern Cam can’t see—yet. It’s not until the earth-shattering discovery of his greatest haunting of all—the true identity of his guardian angel—that he can understand the purpose behind each heartache on his unwitting journey to spirit. Capturing each moment of anguish or hilarity with painstaking detail, Calvin Barry Schwartz’s There’s a Tortoise in My Hair is more than a life story; it’s a legacy of love—for the world, for humanity, and for the pains of life that shape our ability to love in the first place.
This first volume begins with the history of Canada's Indigenous inhabitants prior to the arrival of Europeans and ends with the nation-building project that got underway in 1864.
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In studies of the Rideau Canal construction project, Labour historians have focused on the suffering of the canal workers, and have posited that the military deployed troops to suppress labour unrest and were indifferent to the suffering of the workers. This book provides a different perspective through placing the canal project within its natural and physiccal environments, and through taking into account cultural factors in examining the labour as it evolved during the construction of the canal. Within that broader framework, a totally different view emerges with respect to the causes of the suffering experienced by the canal workers, and the role of the military on the canal project. Moreover, the paternalism of Lt. Col. John By is revealed in his efforts to promote the physical, material, and moral well-being of the canal workers. Lastly, the phenomenon of military paternalism is examined further within a Marxist context, and in terms of Anglican toryism and and Lockean liberalism.
A Spectator Book of the Year “Brilliant, ambitious, and often surprising. A remarkable contribution to the current global debate about empire.” —William Dalrymple, author of The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire “Remarkable...The richness of detail and evidence that Stern...brings to his subject is [new]—as is the lucidity with which he organises his material over six long chapters that stretch from the mid-16th century almost to the present.” —Linda Colley, Financial Times “[A] commanding history of British corporate imperialism.” —Michael Ledger-Lomas, London Review of Books Across four centuries and multiple continents, B...
Setting his account against the dramatic backdrop of pre-Confederation Canada, McGowan traces the challenges Power faced as a young priest helping to establish and sustain the Catholic Church in the newly settled areas of the continent. Power was appointed first bishop of Toronto in 1841 and became an ardent proponent of the Ultramontane reforms and disciplines that were to revitalize the Roman Catholic Church. McGowan explores the way in which Power established frameworks for Catholic institutions, schools, and religious life that are still relevant to English Canada today.