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Emblems of Eloquence
Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was sha...
Music in the Baroque
Wendy Heller's Music in the Baroque traces the production and consumption of music in the seventeenth and early eighteenth century. Going beyond a history of styles, the text explores patronage, education, religious and civic ritual, theater, and visual culture. Heller focuses not only on the nature of music in the Baroque period, but also on the very different ways in which men and women experienced music in their daily lives. Treating music as an expression of political and national identity, she examines it in the context of the era's art and literature, political and religious conflicts, and contentious issues of class and gender [Publisher description]
Music in the Baroque (Western Music in Context: A Norton History)
Companion to Music in the baroque.
Psychological and Biological Approaches to Emotion
First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Staging History
"In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. The medium of drama ensured that the telling of these histories--the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus--were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance. Exploring contemporary theatrical documents and images including playbills, set designs, musical scores and prints, this illustrated collection of essays examines a number of extraordinary dramatic productions and casts light on their role in shaping a popular interpretation of historical events."--
Women with Visible and Invisible Disabilities
This thoughtful collection addresses the issues faced by women with disabilities, examines the social construction of disability, and makes suggestions for the development and modification of culturally relevant therapy to meet the needs of disabled women. Written in an accessible style with a minimum of jargon, this book provides clinical material from the perspectives of psychotherapists, clients, personal assistants, and health administrators. Women with Visible and Invisible Disabilities also highlights the importance of considering age, ethnicity, and sexual orientation in its examination of feminist approaches to assessment, psychotherapy, disability management (coping), and discusses how the Americans with Disabilities Act impacts employment and education for women.
Neuropsychological Perspectives on Affective and Anxiety Disorders
This volume features exemplars of the best research at many levels, from animal studies of the detailed circuitry subserving fear and anxiety, to human studies of cognitive abnormalities in subjects with affective and anxiety disorders.
My Name is Nabil
A young boy explains how he and his family observe the Bahai Faith, a religion that was founded more than a hundred years ago.
Performing Homer: The Voyage of Ulysses from Epic to Opera
The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ri...
Dramatic Experience
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
