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Arthur Miller is regarded as one of the most important playwrights of the twentieth century. His work is performed and studied around the world and this Companion provides an introduction to this influential dramatist. In addition to analyses of Miller's plays, including All My Sons, Death of a Salesman, and The Crucible, his work is also placed within the context of the social and political climate of the time. The impact of the Depression, the Holocaust, and McCarthyism are explored in light of the plays, and the contributors also discuss Miller's fiction and work in film. In the last twenty years, Miller has written a host of new plays and the Companion also examines these works, including The Ride Down Mount Morgan, The Last Yankee, and Broken Glass. The volume closes with a bibliographic essay which reviews the key studies of Miller. It also contains a detailed chronology of Miller's work and illustrations from important productions.
A collection of critical essays that examines Arthur Miller's classic drama, "The Crucible;" and contains an historical overview of the play, chronology of the life and works of the author, and introduction by Harold Bloom.
Presents a brief biography of Arthur Miller along with extracts of major critical essays, plot summaries, and an index of themes and ideas.
International adoptions are both high-profile and controversial, with the celebrity adoptions and critically acclaimed movies such as Casa de los babys of recent years increasing media coverage and influencing public opinion. Neither celebrating nor condemning cross-cultural adoption, Karen Dubinsky considers the political symbolism of children in her examination of adoption and migration controversies in North America, Cuba, and Guatemala. Babies Without Borders tells the interrelated stories of Cuban children caught in Operation Peter Pan, adopted Black and Native American children who became icons in the Sixties, and Guatemalan children whose 'disappearance' today in transnational adoption networks echoes their fate during the country's brutal civil war. Drawing from extensive research as well as from her critical observations as an adoptive parent, Karen Dubinsky aims to move adoption debates beyond the current dichotomy of 'imperialist kidnap' versus 'humanitarian rescue.' Integrating the personal with the scholarly, Babies Without Borders exposes what happens when children bear the weight of adult political conflicts.
The Salem Witch Trials of 1692 are a case study in hysteria and group psychology, and the cultural effects still linger centuries later. This critical study examines original trial transcripts, historical accounts, fiction and drama, film and television shows, and tourist sites in contemporary Salem, challenging the process of how history is collected and recorded. Drawing from literary and historical theory, as well as from performance studies, the book offers a new definition of history and uses Salem as a tool for rethinking the relationships between the truth and the stories people tell about the past.
Mothers of Adult Children elucidates what happens when children come of age and leave home, creating new lives in the realms of work and relationships. Mothers from around the world learn that this is the point in which their relationships with their children must drastically change. Mothers often come to terms with the changes by accepting differences and providing moral and emotional support when needed. However, the evolutionary nature of mothers’ roles throughout the course of their children’s lives is not only determined by the mother-child dynamic. The mothering of adult children is a transformative role, and the stories presented here show that the dynamics between mother and child are also influenced by cultural events. Accidents, disasters, war, and other hardships also intervene in these stories of multicultural motherhood. This book reveals the problems mothers of adult children face and celebrates the outstanding accomplishments of those who mother through hardship.
Indigenous peoples are vastly overrepresented in the Canadian criminal justice system. The Canadian government has framed this disproportionate victimization and criminalization as being an "Indian problem." In The Colonial Problem, Lisa Monchalin challenges the myth of the "Indian problem" and encourages readers to view the crimes and injustices affecting Indigenous peoples from a more culturally aware position. She analyzes the consequences of assimilation policies, dishonoured treaty agreements, manipulative legislation, and systematic racism, arguing that the overrepresentation of Indigenous peoples in the Canadian criminal justice system is not an Indian problem but a colonial one.
The media-enhanced moral panic surrounding youth has continued unabated over the past two decades. Its form and substance varies, but the politics of blaming and exploiting children underlies it all. Despite the reality that rates for most youth crime have gone down, the public condemnation of youth, especially through the news media, continue unabated, and the position of children and youth in our societies is still as precarious as ever. Put bluntly, the lives of too many children and youth are fraught with potential danger. Not only are they the victims of excessive legal scrutiny and scapegoats for panic-driven public policy, but they also go off to war proportionately more than adults and they work at unskilled jobs for no benefits and insultingly low wages. Children and youth live outside the protections of human rights. STILL Blaming Children, an expanded and updated version of Blaming Children, shows how “getting tough” on young offenders ignores the reality of their lives and the reality of their misconduct. The book ends by describing more humane and mindful alternatives for youth offenders, based on the human rights our children deserve.
Arthur Miller is regarded as one of the most important playwrights of the twentieth century, and his work continues to be widely performed and studied around the world. This updated Companion includes Miller's work since the publication of the first edition in 1997 - the plays Mr Peters' Connections, Resurrection Blues, and Finishing the Picture - and key productions of his plays since his death in 2005. The chapter on Miller and the cinema has been completely revised to include new films, and demonstrates that Miller's work remains an important source for filmmakers. In addition to detailed analyses of plays including Death of a Salesman and The Crucible, Miller's work is also placed within the context of the social and political climate of the time. The volume closes with a bibliographic essay which reviews the key studies of Miller and also contains a detailed chronology of the work of this influential dramatist.