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Beauty Is Oxygen
Beauty is oxygen because it comes from the lungs of God. Isolating individualism, rank injustice, and everyday monotony threaten to suffocate our souls. But Wesley Vander Lugt shows how beauty can breathe life back into us. Written in a graceful cadence that invites readers to turn these pages slowly, Beauty Is Oxygen weaves together theological reflection, poetry, cultural criticism, and Scripture. Throughout, Vander Lugt shows how beauty can break us out of self-centered malaise, promote healing and hope for our broken world, and reenchant our lives. Beauty is about more than positive feelings or pleasing aesthetics. Beauty is as essential to our souls as oxygen is to our bodies. As readers encounter these traces of divine glory in Vander Lugt’s finely crafted meditations, they will find how Christ will “make all things new.”
Living Theodrama
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Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Pocket Dictionary of the Reformed Tradition
The Pocket Dictionary of the Reformed Tradition offers brief and accurate definitions of approximately three hundred key people, movements and ideas that make up the Reformed tradition. Beginners will find here a friendly guide through the thicket of terms and ideas encountered in Reformed theology and history.
Improvisation
This introductory textbook establishes theatrical improvisation as a model for Christian ethics, helping Christians embody their faith in the practices of discipleship. Clearly, accessibly, and creatively written, it has been well received as a text for courses in Christian ethics. The repackaged edition has updated language and recent relevant resources, and it includes a new afterword by Wesley Vander Lugt and Benjamin D. Wayman that explores the reception and ongoing significance of the text.
A Prophet in the Darkness
In this collection of essays, a group of theologians, artists, and historians explore Geogres Roualt's historical context, personal suffering, and biblical themes, showing how his prophetic creativity continue to inspire artists and thinkers today. Chapters are interspersed with original artistic responses in the form of imagery and poetry.
Theatrical Theology
Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume Theo-Drama, a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a "theatrical turn" in theology. This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue between theology and theatre. The result is an unprecedented collection of essays that embodies and advances theatrical theology for the purpose of enriching theological reflection and edifying the church.
The Problem with The Dot
The Problem with the Dot is rooted in the idea that culture is a garden to be tended (Gen 2:15) rather than a war to be won and uses the analogy of an ecosystem to expand the details of the individual components of the theatrical ecosystem to: 1.Help those with minimal exposure to theater understand the indivisible construct of the theatrical ecosystem; 2.Identify areas of Christian neglect within each component; and 3.Emphasize strategic corrections that will result in the holistic restoration of a healthy global culture. Each chapter strengthens the case for a long-term holistic approach to the care and cultivation of global culture through the theatrical ecosystem, culminating in a call to action that is magnified by the unique opportunity presented by the 2020 global pandemic that forced a hiatus on all theatrical productions. The market will reset, and artists will revive theaters. It is my prayer that when this grand reopening occurs around the globe, Christians are an integral part of the new beginning.
Themelios, Volume 36, Issue 2
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian T...
