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George Walton, Designer and Architect
This study of the work of the designer and architect, George Walton is prefaced by memoirs by his son and grandson. The text and illustrations reveal a body of work remarkable for its diversity, individuality and sophistication.
Beginnings - Charles Rennie Mackintosh's Early Sketches
Together with the National Library of Ireland, Architectural Press presents seventy previously unpublished drawings by Charles Rennie Mackintosh. The identification in the National Library of Ireland of three sketchbooks, from which these drawings have been selected, represents a significant addition to the body of early drawings by Mackintosh. The sketches date from a crucial period in the young man's development, spanning his highly successful student years and the beginnings of his professional career. Each of the three sketchbooks covers an area central to his growth as an artist: the architecture of his native Scotland, an important scholarship journey in Italy and, Mackintosh's first l...
Taking Tea with Mackintosh
In 1896, Kate Cranston, the pioneer of Glasgow tea rooms in the late nineteenth century, commissioned Charles Rennie Mackintosh -- who would become one of the Western world's most renowned designers -- to design her tea rooms, and over the next two decades he did so with dazzling inventiveness. (Mackintosh's wife, Margaret, herself an artist, also made important contributions to the interior designs.) A pair of perfectionists, Cranston and Mackintosh opened up a unique, avant-garde artistic world to thousands of ordinary people. Their tea rooms became internationally famous. Taking Tea with Mackintosh illustrates this exciting collaboration with black-and-white historical photographs of the tea rooms and color photographs of their surviving components. In addition, sixteen recipes for traditional tea room cakes, breads, and pastries are supplied, offering the best chance the reader will have to revisit these extraordinary places.
Contact in Context
Contact between cultures has been understood in various ways and this particular volume considers the European cultural, social, scientific, philosophical and political contexts framing encounter. All of the essays thus look at the different ways in which individuals and institutions work these contexts into their representations of contact settings. In Part 1, the conventional stance is adopted where encounter is understood as taking place elsewhere and not on European soil. The chapters examine contact far afield and focus on how public and private contexts act upon ensuing interpretations and representations of inter-cultural interaction. Part 2 considers ‘contact within’, positing in...
The French Anarchists in London, 1880–1914
Depicts the social and political lives of the few hundred French anarchists exiled in London between 1880 and 1914, and focuses on their transnational political activism, suspected terrorist activities, the police surveillance they were subjected to, and the epoch-making changes in immigration and asylum law which their presence eventually led to.
New Perspectives on Welsh Industrial History
This volume tells a story of Welsh industrial history different from the one traditionally dominated by the coal and iron communities of Victorian and Edwardian Wales. Extending the chronological scope from the early eighteenth- to the late twentieth-century, and encompassing a wider range of industries, the contributors combine studies of the internal organisation of workplace and production with outward-facing perspectives of Welsh industry in the context of the global economy. The volume offers important new insights into the companies, the employers, the markets and the money behind some of the key sectors of the Welsh economy – from coal to copper, and from steel to manufacturing – and challenges us to reconsider what we think of as constituting ‘industry’ in Wales.
Cultural Attractions and European Tourism
This book reviews the cultural tourism market in Europe from a survey carried out in 1997. It analyzes the way in which cultural attractions are produced for, and used by, cultural tourists and how such cultural attractions as museums, art galleries, monuments and heritage attractions are marketed.
