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My Father's Country
On August 15 1944, defence officer Hans Georg Klamroth was tried for high treason at the Third Reich's Peoples Court. Wibke Bruhns, his youngest daughter, was six years old at the time. Decades later, watching a TV documentary, images of her father in the court room suddenly appeared on screen.
My Father's Country
In August 1944, Hans Georg Klamroth was executed for his part in the 20 July plot to assassinate Hitler. Wibke Bruhns, his youngest daughter, was six years old at the time. Decades later, watching a documentary about the events of 20 July, images of her father in the Third Reich People's Court appeared on the screen - and she realises she never knew him. In My Father's Country, Bruhns tells of her search for her father. Returning to her ancestral home in Halberstadt, Northern Germany, she retraces her family's story from Kaiser Wilhelm to the end of World War Two, discovering old photographs, letters and diaries, which she uses to piece together a unique and unforgettable family epic.
Memory Matters
Memory Matters juxtaposes in tripartite structure texts by a child of German bystanders (Wolf), an Austrian-Jewish child-survivor (Klüger), a daughter of Jewish émigrés (Honigmann), a daughter of an officer involved in the German resistance (Bruhns), a granddaughter of a baptized Polish Jew (Maron), and a granddaughter of German refuges from East Prussia (Dückers). Placed outside of the distorting victim-perpetrator, Jewish-German, man-woman, and war-postwar binary, it becomes visible that the texts neither complete nor contradict each other, but respond to one another by means of inspiration, reverberation, refraction, incongruity, and ambiguity. Focusing on genealogies of women, the bo...
A Jew in the New Germany
Henryk Broder, one of the most controversial and engaging writers in Germany today, has been a thorn in the side of the Establishment for thirty years. The son of two Polish Holocaust survivors, Broder is not only a trenchant political critic and observant social essayist but an invaluable chronicler of the Jewish experience in late twentieth-century Germany. This volume collects eighteen of Broder's essays, translated for the first time into English. The first was written in 1979 and the most recent deals with the post-9/11 realities of the war on terrorism, and its effects on the countries of Europe. Other essays address the debate over the construction of a Holocaust memorial in Berlin, the German response to the 1991 Gulf War, the politics of German reunification, and the rise of the new German nationalism. Broder charts the recent evolution of German Jewish relations, using his own outsider status to hold up a mirror to the German people and point out that things have not changed for German Jews as much as non-Jews might think.
Germans as Victims in the Literary Fiction of the Berlin Republic
An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s and examines shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation."--BOOK JACKET.
The Inability to Love
The Inability to Love borrows its title from Alexander and Margarete Mitscherlich’s 1967 landmark book The Inability to Mourn, which discussed German society’s lack of psychological reckoning with the Holocaust. Challenging that notion, Agnes Mueller turns to recently published works by prominent contemporary German, non-Jewish writers to examine whether there has been a thorough engagement with German history and memory. She focuses on literature that invokes Jews, Israel, and the Holocaust. Mueller’s aim is to shed light on pressing questions concerning German memories of the past, and on German images of Jews in Germany at a moment that s ideologically and historically fraught.
Women and National Socialism in Postwar German Literature
In recent years, historians have revealed the many ways in which German women supported National Socialism-as teachers, frontline auxiliaries, and nurses, as well as in political organizations. In mainstream culture, however, the women of the period are still predominantly depicted as the victims of a violent twentieth century whose atrocities were committed by men. They are frequently imagined as post hoc redeemers of the nation, as the "rubble women" who spiritually and literally rebuilt Germany. This book investigates why the question of women's complicity in the Third Reich has struggled to capture the historical imagination in the same way. It explores how female authors from across the political and generational spectrum (Ingeborg Bachmann, Christa Wolf, Elisabeth Plessen, Gisela Elsner, Tanja D ckers, Jenny Erpenbeck) conceptualize the role of women in the Third Reich. As well as offering innovative re-readings of celebrated works, this book provides instructive interpretations of lesser-known texts that nonetheless enrich our understanding of German memory culture. Katherine Stone is Assistant Professor in German Studies at the University of Warwick.
Reluctant Accomplice
Kinrad H. Jarausch is the Lurcy Professor of European Civilization at the University of North Carolina, Chapel Hill. --Book Jacket.
Cultuur & Lichaam
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